"A Whale's Tale" Painting
Painting, Oil on Canvas
48 W x 72 H in
Ships in a Crate
This work will ship in a secure wooden crate. Read More
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$7,330
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My work deals with the luminosity of light and the radiance of colour in counterpoint with elemental schemata that transcends surface and meaning. The intent of my work has been for the viewer to “fall in and drown in the work” and see things beyond the surface of the paintings. My painting process...
Year Created:
2016
Subject:
Mediums:
Painting, Oil on Canvas
Rarity:
One-of-a-kind Artwork
Size:
48 W x 72 H x 1.5 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Canada.
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My work deals with the luminosity of light and the radiance of colour in counterpoint with elemental schemata that transcends surface and meaning. The intent of my work has been for the viewer to “fall in and drown in the work” and see things beyond the surface of the paintings.
My painting process uses the layering of see-through images and imaginings of x-ray vision similar to the drawn schemata of Canada’s aboriginal artists. To see beyond the surface, whether it be the early ambiguous schematics of something/someplace, or the current painting process whereby the dance of paint application, movement, direction, tools and their manner of use inform its’ significance, either as an object/painting unto itself or having further consequential narratives and visual theatrics beyond the surface. The paintings have the appearance of being lit from within, and use edge bars, and other geometric counterpoints to create the dynamics of push and pull oppositions of colour, structures, and gestural mark making. “Tripping The Light” simplifies notions, and sensibilities of mark making into a cohesiveness of intent, paint application and implied meaning or interpretation.
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