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Painting, Oil on Paper
Size: 8.7 W x 12.6 H x 0.8 D in
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‘Wherever you are in life, you have come there either because some doors are not opened or some doors are opened!‘ Mehmet Murat İldan Gates are intriguing, especially closed ones in high walls, as there is a sense of mystery as to what may lie behind them, and what opportunities or peril await. This is a rendering of the side gate to the grounds of an ancient abbey nearby, and I have let the paint and colour dictate to themselves whilst keeping some form of the old gate. Very happy with some of my recent forays into abstracted views of the landscape and buildings. As you can probably make out, I have worked the textures quite vigorously, scraping in and blending with sticks, bark, fingers etc and very pleased with the outcome. However, as I thought it would just be a study, I did it on a bit of primed paper, so can’t be real sure of the archival prospect of this piece, but think it will be fine – most likely it see you and me out! The actual painting is 32 x 22 cm, and is offered on mount board which has an outside measurement of 40 x 30 cm, but you can frame it as you wish.
Oil on Paper
One-of-a-kind Artwork
8.7 W x 12.6 H x 0.8 D in
Other
No
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I’m Jean David, and I am an artist and art teacher. I have had a passion for painting and drawing all my life. These days, I will generally paint and draw anything that will be still enough for long enough to let me! I prefer to paint directly (ie with the actual subject matter in front of me, rather than a photo) either in the studio or out in the elements ‘en plein air’. To me, a well executed drawing or painting (mine or anyone else’s) can convey a truth more eloquently, an emotion or a feeling of human experience more truthfully than any other form of expression. I can still remember the first time I saw a Leonardo drawing in a text book – I was literally transfixed at how the world could be viewed in a different way other than how I had been brought up. To me, the Leonardo drawings were able to get directly to the heart of the matter, and disregard what he could not be bothered to ‘see’. Since my decision to become a full time artist some twenty something years ago, I have tirelessly pursued a goal to be able to just do it better. This has inevitable involved me going through a number of stages and phases, all of which have helped me acquire more experience and skills as I moved forward. It has long been touted that in order for an artist to develop, he/she needs to travel and experience different environments, so the journey is a physical one as well, and I have lived and painted in Australia, England, Wales, The Netherlands , Hong Kong and France, taking in many other countries along the way, including Spain, Portugal, Italy, Scotland, Germany, Croatia, Russia, Sweden, Crete, Fiji, New Caledonia.
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