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Abracadabra 24 x 48 inch 
This piece was inspired by a classical geometric tessellation pattern of Islamic or Moorish art. 
It is two paintings- the daylight work features a pearl background (hard to see it in the photos) and geometric tessellation of a classic Moorish architectural motif using a pale green dimensional phosphorescent paint. It also uses dark blue and red and gold glitter paints, and metallic gold and steel blue paints. When the lights go out the second composition appears, done in my own recipe blue and green glow paint (non-toxic, extra bright, and glows all night). 
See this phosphorescent composition at maximum color intensity by exposing it to sunlight or another UV light source.
In daylight
Abracadabra 24 x 48 inch 
This piece was inspired by a classical geometric tessellation pattern of Islamic or Moorish art. 
It is two paintings- the daylight work features a pearl background (hard to see it in the photos) and geometric tessellation of a classic Moorish architectural motif using a pale green dimensional phosphorescent paint. It also uses dark blue and red and gold glitter paints, and metallic gold and steel blue paints. When the lights go out the second composition appears, done in my own recipe blue and green glow paint (non-toxic, extra bright, and glows all night). 
See this phosphorescent composition at maximum color intensity by exposing it to sunlight or another UV light source.
Closer to what the eye sees in dark
Abracadabra 24 x 48 inch 
This piece was inspired by a classical geometric tessellation pattern of Islamic or Moorish art. 
It is two paintings- the daylight work features a pearl background (hard to see it in the photos) and geometric tessellation of a classic Moorish architectural motif using a pale green dimensional phosphorescent paint. It also uses dark blue and red and gold glitter paints, and metallic gold and steel blue paints. When the lights go out the second composition appears, done in my own recipe blue and green glow paint (non-toxic, extra bright, and glows all night). 
See this phosphorescent composition at maximum color intensity by exposing it to sunlight or another UV light source.

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Abracadabra Painting

Michele Burns

United States

Painting, Acrylic on Canvas

Size: 48 W x 24 H x 0.8 D in

Ships in a Box

SOLD
Originally listed for $525

525 Views

3

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ABOUT THE ARTWORK

Abracadabra 24 x 48 inch This piece was inspired by a classical geometric tessellation pattern of Islamic or Moorish art. It is two paintings- the daylight work features a pearl background (hard to see it in the photos) and geometric tessellation of a classic Moorish architectural motif using a pale green dimensional phosphorescent paint. It also uses dark blue and red and gold glitter paints, and metallic gold and steel blue paints. When the lights go out the second composition appears, done in my own recipe blue and green glow paint (non-toxic, extra bright, and glows all night). See this phosphorescent composition at maximum color intensity by exposing it to sunlight or another UV light source.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

48 W x 24 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The driving force of my art is curiosity. Each piece begins with the question “What if?” What if I use these colors, textures, materials, techniques, or objects together? Each work is a surprise package I get to slowly open. I study art, and in my head I divide the field between decorative art that people want in their homes, which is great, and “arty” art that is innovative, original, and sometimes gallery-worthy. I often fail but generally aim for the elusive territory between the two- attempting to create things pleasing to the eye that people might want to live with, while pushing out boundaries for both everyday and more sophisticated art lovers. A unique recurring feature of most of my work is the inclusion of photoluminescent strontium aluminate doped with rare earths. I make the pigments myself for maximum luminance. The works are thereby two compositions, one by day and a second, rather magical composition that appears at night. I employ super-bright child-safe minerals that shed light for 10 to 20 hours after exposure to any visible light, and that continue to be “re-excitable” for decades. I do not have a single style because my relentless curiosity leads me in many directions as I constantly explore new materials, tools, techniques, and “What if?” questions.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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