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Painting, Oil on Canvas
Size: 24 W x 18 H x 1 D in
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These works are from a new series titled 'after Diebenkorn'. I wish to engage my audience with visual understanding of Diebenkorn's geometric constructions deconstructed into their original organic inspiration. I do this through appropriating specific color information (color palette) relating to a specific work which I then use for the title. The titles convey enough conceptual information to direct the audience towards an understanding of the series. At the same time, the works provide for the viewer a sense of timelessness and infinite space which relates the works in a direct fashion back to Diebenkorn's muse, often times this was the Ocean Park area in Santa Monica.
2021
Oil on Canvas
One-of-a-kind Artwork
24 W x 18 H x 1 D in
Not Framed
Not applicable
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Kathryn Arnold has shown her work on a national scale, from New York City to Hawaii, from Los Angeles to Chicago and Kansas City and St Louis. She has been written about by Alan Artner, art critic for the Chicago Tribune and Raphael Rubenstein, senior editor of Art in America along with many others. Her work is included in numerous public and private collections. She exhibits nationally in galleries, universities and art centers and is a NEA Regional Fellowship recipient. She has received other fellowships, grants and awards as well. Kathryn's work is included in numerous public and private collections. Kathryn works in her studio in San Francisco. It is a large space with a skywell that keeps track of the time. Her work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other vein includes drawings that are black and white mixed media works on paper. Both display the density and layered mark-making that points to artistic process and content. Artist Statement: Kathryn Arnold The paintings are a result of intuitive nonobjective processes and contain my search for visual "magic". The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create and encompassing, enveloping field and bewildering space. The grid at times becomes a reference point and the intrinsic relating of parts form poetry; an interplay between subjective and objective realities. *"2.Any mysterious, seemingly inexplicable power or influence; as, the "magic" of love." (webster)
Artist featured by Saatchi Art in a collection
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