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"After the Storm" Painting

Sangwon Chun, South Korea

Painting, Oil on Canvas

12.5 W x 16.1 H in

Framed, Ready to Hang

$750

Shipping Included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This piece was inspired by a photograph of a wave-dissipating concrete tetrapod that landed in a tunnel, swept away by a severe storm. The tetrapod in the photo looked as if it had been displaced from its origin. The fish lying in the front was also inspired by photographs of dead fish on blacktop r...

Year Created:

2024

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

12.5 W x 16.1 H x 1 D in

Ready to Hang:

Yes

Frame:

Black

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

South Korea.

Need more information?

Need more information?

Sangwon Chun

About the Artist

Sangwon Chun

South Korea

The continuous theme of my paintings is megacities, the lives within them, and the traces they leave. Buildings, construction sites, and their byproducts are the main subjects of my works, often described in vivid, contradictory hues. Since last year, my work has been going through significant development, both in materials and concepts, experimenting with new ingredients such as pine pollen and Korean paper.

I start a piece by covering the canvas with oil, pine pollen, and/or charcoal, sometimes with Korean paper and sanguine. Different combinations bring out subtle surfaces carrying unsettling energy. Cityscapes with elaborate detail are usually painted on red or black oil-covered canvases, while more expressive sketches based on photography are carefully fixed on the canvases covered with charcoal or pine pollen.

I aim to invite audiences to contemplate city life, as many people today share a similar living environment in urban areas, especially in population-concentrated megacities. The main viewpoints of my works are the exteriors of buildings, construction remnants with deliberate details and colors, and photographic images of infrastructure painted in selected materials. With them, I try to expose the hidden struggles and alienation of urban dwellers, the decomposition of the cities, and the resilience rising underneath.

Recognition:

  • Showed at the The Other Art Fair

  • Artist featured in a collection

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