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The Aged Psychedelic series is the beginning of my exploration of transferring the marbling process to textiles. All of these pieces are small compared to the majority of my work. This series of ten pieces uses airbrush paint as the dye to create the marbled surface design. I have found that the airbrush paint changes the hand of the textile ground and makes my signature dense hand stitching more difficult to achieve. Aged Psychedelic #3 continues my exploration of using the geared drawing tool, Wild Gears, for designing my hand stitched designs directly on the artwork. The colorations are visually bold in this artwork with bright orange and yellow, highlighted by a splash of vibrant red and a few streaks of turquoise. The dense hand stitching recedes into the background of this piece. There is so much potential for expanding both the marbling technique and the gear design set as a design tool for hand stitching to my larger pieces in the future. This artwork is designed to be displayed in either a horizontal or vertical orientation and will be spectacular paired up with several of the other pieces in this series. Exhibition History: --8th Abstract International Juried Art Competition, Los Angeles, California. March 1 - 31, 2023. **Honorable Mention Award** --Art Comes Alive 2020, Art Design Consultants Gallery, Cincinnati, Ohio: January 23 – March 19, 2021.
Airbrush on Soft (Yarn, Cotton, Fabric)
One-of-a-kind Artwork
16.8 W x 13.6 H x 0.4 D in
Not Framed
Not applicable
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I have been constructing textile artworks for over thirty years incorporating dense hand stitching which gives visual and physical texture to my work. I was born in St. Paul, Minnesota in 1963 and have had my studio in Cushing, Wisconsin since 1991. My work includes pieced work using commercial fabrics as well as rust pigmentation and non-traditional dyeing techniques. More recent work has been using whole cloth construction using my hand dyed and painted fabrics and rust pigmentation along with my signature hand stitching. Each piece is unique and starts with an idea from my subconscious and develops as I construct the artwork. Decisions are made regarding materials, technique, size, and sculptural stitching as the piece develops. Nothing is preplanned so the initial idea may not be even close to what the finished artwork reveals. My medium is thread on textiles, much like a painter's medium is "oil on canvas" or "acrylic on hard board". My work can be found in many private art collections around the world. Commission work keeps my schedule full for several years in advance. I exhibit my award winning artwork nationally in juried fine art exhibitions in galleries, museums, and art centers. I am represented by several fine art galleries across the United States. I am the author of several books available worldwide, describing my processes, artistic philosophy, and experiences with artist residencies.
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