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Altar of Archangel Barachiel Painting

Alex Folla

Italy

Painting, Oil on Canvas

Size: 39.4 W x 59.1 H x 0.8 D in

Ships in a Tube

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

So there’s Michael the Archangel, slayer of the Devil and of the Dragon, the most visionary of the angels, because he was the one who revealed the Apocalypse to Saint John, depicted by Folla wearing with skis, as a “Skier of God”, who by slaying the Devil slides on the surface of history and time; t...

Year Created:

2015

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

39.4 W x 59.1 H x 0.8 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I was born in Oggiono (Italy) on 8th of June 1980, I'm working and living between Filorera (Alps), Milan and Moscow. In my painting there is the fundamental difference between photographic realism and pictorial realism. The first reproduces what the camera has taken, the second (my) reproduces what is necessary. The rest is suggested for our eye by visual trick and realized with our conscience. My painting is domestic and homey one, you can say whatever you want, but not academic, because it does not fit any of the academics criteria. It is not accepted within the contemporary academic institution. (In the West the official academic style in art is informal language).My art has no cultural references, it is not looking for historical consistency, but most of all does not have moralistic pretensions. My painting is the apology of sublime banality of everyday life.

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