32 Views
5
View In My Room
Painting, Acrylic on Canvas
Size: 31.5 W x 39.4 H x 0.8 D in
Ships in a Box
32 Views
5
Usually I prefer oils to acrylics. But this time I decided to use a technique which was quite new for me: multi-layer glazing. The effect of putting one subtle color on another is so fascinating. I like the way the flowers look in the end: as light as feather! Poppies charmed me so much that I painted them on a large canvas in addition to a smaller one. The poppies turned out to be very expressive and lively. Dark background make them seem so alive and so vulnerable. “Amazing Poppies“, October 2021. Acrylic on cotton/linen canvas. 100x80 cm.
Acrylic on Canvas
One-of-a-kind Artwork
31.5 W x 39.4 H x 0.8 D in
Not Framed
Not applicable
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Russia.
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Russia
Inna Sumina is a Moscow-based self-taught emerging artist. «My paintings reflect my inner world, I would call it a «garden». What is this garden like? It is often abstract, a little bit chaotic or on the contrary - pretty much ordered, or even unpredictable, somewhat bright.. In my artworks I am ponding over the fleeting of time. The idea of seizing the moment is opposed to the pursuit of momentary pleasure in a consumer’s society. Awareness becomes means of slowing down and perceiveing the beauty of nature here and now. Using the images of flowers, I analyze the transience of life and draw a parallel between human life and the stages of a plant’s growth (luxuriance of blossoming - slow withering). Flowers in my paintings can be dramatic tended to destruction...or they can be fragrant and full of life, thus reflecting the ever-changing character of our days. I prefer black (dark) background for paintings: it helps me to emphasise how fragile and vulnerable is the soul of a flower, reveal its fleeting beauty, which strives to be noticed during these odd times. Thanks to the black tones of the background other colors become saturated while the whole image gains its structure. Using this dark, deep non-existence as a basis, I derive intuitive images which are recognized as silhouettes of flowers by the spectator.»
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