276 Views
13
View In My Room
Painting, Ink on Paper
Size: 15.9 W x 17.9 H x 0.1 D in
Ships in a Tube
276 Views
13
Blue ink on parchment paper, this work is about the sacred within ourselves - the soul. ''On the path of my freedom, I looked to where I came from, what I carried, who I was, what that meant. Abandoning for a moment the world which surrounds me, I went into myself to discover my sensitive and creative side; it brought me to gentleness and violence, to my births and my deaths, to the necessities of life. On this tumbling road on the question of meaning, I bandage with certitude my bleeding worries. Who knows the intention of their soul? The why is nagging. I look through two openings, a prism of the world. Isolated from myself, uncorrelated, parts of myself appear and disappear, creating the illusion of reality. The inside and the outside. A mask, able to signify the beautiful and the ugly, or the good and the bad. I search in the eyes of the other for my truth. He only sees himself. We are masking each other. On this road, searching for our differences, the dissociation rips cries from us. From birth we cry to return to the breast of our mothers, a cry from fear of the cold, and of rage which resonates in all languages, for all ages. The cry of helplessness and of anger. Waiting for comfort from a world which vibrates and vacillates. When the echo of my cry reaches me, if I hear it, answering my needs, I take under my wing my own and unique truth, my inner mother, and fly away towards my destiny. So I will go where my dreams take us, into my memories first to pay homage, then on the search for the shadow which preceded me. I will confide the reality of my dreams, nightmares or promises. To fly on the shoulders of the angel towards necessary voyages. On this road butting against the question of meaning, I look back, curious about the emptiness which swallows me up. I reassemble the bits and pieces which have made up my life, a patchwork which defined me and of which I am constructed. I draw the map of my path, on which murmur my ghosts. Which silent paths have preceded us? Reconstructing myself piece by piece, I embroider what has been bequeathed to me, what has been transmitted to me and which exceeds me. Raising my gaze led me to illusion, made me stumble, on my road I ask myself the question of meaning. I look in myself and reunite with my heavenly part. Going towards the paths of knowledge, putting our feet on those which have preceded us, without believing that they knew better than us, without allowing ourselves to split, to become fragile, joining our souls to those of others, we create the Divine.'' Nathalie Rodach
Ink on Paper
One-of-a-kind Artwork
15.9 W x 17.9 H x 0.1 D in
Not Framed
Not applicable
Ships Rolled in a Tube
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Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Switzerland.
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Switzerland
Visual artist, I tell stories. Questioning the relation between the Human being and his destiny, everything is an excuse to resonate. I build trees carrying the wisdom and ignorance of the designate ones. Their past, their present, their future and all the possibles escorting them. The life going through us, the one we decide and the netting holding us back. I weave links between spiritual, organic and trivial. I explore life paths, embroil the woman’s and man’s wonders, the changing seasons, the flight, the magic of encounters. My tools are the fruits of chance, of soil or of humans. The world echo only counts. Patiently, I dissect and share what the leaving is. Artist of the invisible, I work in Geneva (Switzerland) and Annemasse (France) and use introspection through her symbolic universe : memory and identity matrix trees ; multiple branches coming out from those genealogies, bearing their sweet or bitter fruits ; life accidents redefining the lines. Tirelessly I am looking for truths born from experience. Frames, totems, modeling clay paintings but also sounds environment delicate fabrics, beads and gaza embroideries, aerials books, installations of bronzes crowds, sculptures, video and now theatre setting, everything gives evidence to her necessity to go over specific stories.
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