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Annexation Painting

Bill Guffey

United States

Painting, Oil on Canvas

Size: 24 W x 30 H x 1.5 D in

Ships in a Box

This artwork is not for sale.

591 Views

21

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This abstract work builds itself from the earth and the structures that could occupy the space. It is unframed, painted on gallery stretched canvas stapled on the reverse, with the sides painted dark brown/black. It has been varnished.

Year Created:

2015

Subject:
Styles:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

24 W x 30 H x 1.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

Bill Guffey was born and raised in the small, south central Kentucky town of Burkesville. Growing up in the rural area left much to be desired in the way of entertainment, and Guffey turned to drawing and painting at a young age. With no art teachers in the vicinity he took it upon himself to learn what he could through the use of television and books and magazines. He set up a booth at the annual Arts and Crafts Fair at the age of 12, with his simple, enthusiastic paintings. To his delight the high school started their first art class his senior year. The next few years to follow were filled with sketching, drawing, and painting sporadically, accompanied by much travel and adventure. Leaving Kentucky, Bill headed west as a young man and ended up in the ski resort town of Breckenridge, Colorado. After the first winter of over 300 inches of snow he was ready for a warm destination. So it was off to the Caribbean. Bill lived for a short time on the small island of St. John, in the U.S. Virgin Islands. Beach life and night life was the laid back, and slowly paced norm on St. John, to which he was happy to endure both. Living in an apartment with only screens for windows and the daily lizards in the shower was a precursor of eclectic living situations for the young artist. After leaving the island life he headed back to the Rocky Mountains of Colorado. He lived for a few months in Denver, in places that included the house of a paranoid, tow truck driving, Harley riding acquaintance that thought a spell had been cast upon him, with loaded guns, snakes and tarantulas plentiful around the house; to a one story, old motel called the Titan in a rough part of the city, whose renters were financially challenged people like himself, along with addicts, prostitutes, and roaches; a couple of multi-roommate situations full of people from all walks of life; and finally to a basement apartment that was the most normal, warm, clean, and safe place the 22 year old had lived in some time. The mountains were calling again and we would see Bill moving to a 100+ year old mining cabin, just outside Breckenridge, Colorado. At an elevation of almost 11,000 feet, the cabin had no electricity or running water, although the outhouse was one of the deepest in the region as it was set over a vertical mine shaft that was long unused. Living through a couple of winters in this place was possible for the young man, but was harder than anything Bill had experienced before.

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Curator - India Balyejusa

India Balyejusa, Senior Curator