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32
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Painting, Oil on Canvas
Size: 38.2 W x 43.3 H x 1.3 D in
Ships in a Crate
1061 Views
32
Artist featured in a collection
Continual deconstruction of figurative painting attempts to dislocate and prohibit what is customary and expected from representational imagery. Controlled chance creates passive-aggressive nuances together with multiple connotations towards what is being represented. Appearance of Time was a turning point based upon this concept; allowing things to evolve whilst the painting breaks down into abstract marks. The rebuilding of form then solidifies what is being representing alongside the traces of the process still being visible. The ground is 12oz cotton duck, hand acrylic primed canvas with a handmade support.
2011
Oil on Canvas
One-of-a-kind Artwork
38.2 W x 43.3 H x 1.3 D in
Not Framed
Not applicable
Ships in a Crate
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Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United Kingdom.
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United Kingdom
Francis Reynolds is a British Artist who lives and works in Cambridgeshire, England. He returned to education as a mature student in 2007 to study Fine Art. Reynolds graduated with a Fine Art BA at Loughborough University in 2012. Since graduating, Francis started a family yet still achieves regular exhibitions nationally together with instructing Art students at a local academy. His paintings are held in Private collections throughout the UK and internationally. Reynolds’ practice can be seen to be quite destructive in as far as process. However, it can be said that the passive/ aggressive nature of the paintings lends themselves to the very nature of the human condition. Reynolds’ outcomes strive to question and reinvigorate the subject; its historical and contemporary context. Together with consolidating ideas of deconstruction; an act of taking apart and rebuilding. This may also highlight the deconstruction of conventions and what is expected from representational painting. The body of work can be seen to emphasise process by exaggerating the application and meticulous methodology through thin layers of paint and blocks of colour. This functions as a way of viewing what was there from past layers, and where decisions in the reconstruction of form were made.
Artist featured by Saatchi Art in a collection
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