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Aqua Alta 5 Painting

Jil Evans

United States

Painting, Oil on Canvas

Size: 54 W x 50 H x 3 D in

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Originally listed for $5,350
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About The Artwork

The series Aqua Alta (“high water”) is based on ideas developed using an app on my IPAD, starting with images of a flooded river moving throughout a woodland, and then collaging, drawing and painting in layers upon layers with the app tools. I translate the sketches into paintings on canvas. The series is informed by my studies of the Italian Baroque painters, Giambattista Tiepolo and Tintoretto in particular, whose Venetian color, animation, and high-­‐ spirited gestures, are very alive and moving. I have paid particular attention to their compositions and how they combine architectural structure with the figure, which in an abstract sense can be a creative tension between geometry and the organic, or the human made structure in dialogue with the natural world. I bring what I learn from these historical investigations to my own work, in order to make contemporary work that enlarges my vocabulary and grounds my work in the history of ideas.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:54 W x 50 H x 3 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I make abstract paintings originating in observation. I have learned to trust what I find visually enthralling in the world has deep connections with questions I have about how we experience and inhabit the world. Growing up between Gary, Indiana and Chicago, Illinois, travel between these two cities along the southern shore of Lake Michigan shaped the dialectic at the core of what I have brought to my exploration of abstraction: the miles of steel and oil industry lighting up the sky with flaming towers, through which one can glimpse the spaciousness and unbroken horizon of the Great Lake. I am drawn to movement of light, reflections on water disordered by what lies underneath, and the premonition of metamorphosis perceptible in natural structures. In the way that sound, rhythm, and breath build compression and express feeling in a lyric poem, I use contrasting color, contrasting spatial depths, and a wide range of marks, gestures, and the physicality of paint- from sheer washes to thick impasto - to suggest the way intimacy, alienation, struggle, and freedom exist in the psyche in a constant state of flux. In painting, the power of gestural line leads me to engage with the complex, exuberant paintings of Italian Baroque painters, Giambattista Tiepolo and Tintoretto in particular, whose Venetian color, animation, and high-spirited gestures, are very alive and relevant to me. I aspire in my paintings to express a profusion of activity, developed with a keen desire for uniting near and far, small and large, the loud and the quiet, the rent with the joined.

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