VIEW IN MY ROOM
United States
Painting, Oil on Canvas
Size: 41 W x 53 H x 2 D in
Ships in a Crate
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Chaotic yet cheerful motion playing frantically over organic and human-like shapes is the underpinning of this colorful composition in thick oil. A large face, appearing as a smiling African mask anchors the upper middle of the picture plane, while various other smaller human figures, mostly in profile or three quarter view, populate the upper to lower right, surrounding the main figure subserviently, as if on hand to view an important ritualistic event. The manner in which the central figure pulsates with pent-up energy while the overall scene shivers from obscurity into focus recalls the rhythm and energetic force of focus needed to successfully navigate and accomplish a challenging physical feat, especially one done for the first time with an audience. Influences, among others, include Max Beckmann, Edvard Munch, Bob Thompson, George McNeil, Richard Diebenkorn, David Park, Francesco Clemente, R.B. Kitaj and Willem de Kooning.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:41 W x 53 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Don Keene's paintings are bold expressionistic renditions of a ‘Red Light’ district that lurks in the subconscious. Evading time, place and definition, these vignettes represent a freedom of will from judgment while the colors and lines that portray unabashed passions saturate the composition with frenzied force. - D. Domick Lombardi Don Keene is a product of Pasadena's Art Center College of Design and the graduate program in Studio Art at The College of New Rochelle. His concerns with the human figure are less illustrative than they are metaphoric. His abstract accumulations of paint and form investigate the relationships we have with our bodies. The investigative dialogue he orchestrates deals with how and why human experience is confounded by primordial passion and desire within a free society that confuses sensuality, sexually charged imagery, emotive content, feelings of personal tension and self-consciousness, and the role of eroticism and pornography. It is the incongruous nature of this content that, for Keene, is in need of exploration. The resultant paintings and drawings on canvas and paper are purportedly abstract yet feel sexual. - William C. Maxwell
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