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This large format painting offers an immersive experience using heavily layered mixed media to study formal and spatial dialogues. The large eroded white mass extends to the edges while revealing a rich field of red. The red negative space is being eclipsed by the object and challenges the relationship between perceived flatness and implied depth. The rigorous technique supports this juxtaposition using thick layered texture while allowing a level of thinness through erosion and subtraction.
This large format painting offers an immersive experience using heavily layered mixed media to study formal and spatial dialogues. The large eroded white mass extends to the edges while revealing a rich field of red. The red negative space is being eclipsed by the object and challenges the relationship between perceived flatness and implied depth. The rigorous technique supports this juxtaposition using thick layered texture while allowing a level of thinness through erosion and subtraction.
This large format painting offers an immersive experience using heavily layered mixed media to study formal and spatial dialogues. The large eroded white mass extends to the edges while revealing a rich field of red. The red negative space is being eclipsed by the object and challenges the relationship between perceived flatness and implied depth. The rigorous technique supports this juxtaposition using thick layered texture while allowing a level of thinness through erosion and subtraction.
This large format painting offers an immersive experience using heavily layered mixed media to study formal and spatial dialogues. The large eroded white mass extends to the edges while revealing a rich field of red. The red negative space is being eclipsed by the object and challenges the relationship between perceived flatness and implied depth. The rigorous technique supports this juxtaposition using thick layered texture while allowing a level of thinness through erosion and subtraction.
This large format painting offers an immersive experience using heavily layered mixed media to study formal and spatial dialogues. The large eroded white mass extends to the edges while revealing a rich field of red. The red negative space is being eclipsed by the object and challenges the relationship between perceived flatness and implied depth. The rigorous technique supports this juxtaposition using thick layered texture while allowing a level of thinness through erosion and subtraction.

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Augmented Object Painting

Hans Koesters

United States

Painting, Acrylic on Canvas

Size: 48 W x 60 H x 1.5 D in

Ships in a Crate

SOLD
Originally listed for $2,300

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ABOUT THE ARTWORK

This large format painting offers an immersive experience using heavily layered mixed media to study formal and spatial dialogues. The large eroded white mass extends to the edges while revealing a rich field of red. The red negative space is being eclipsed by the object and challenges the relationship between perceived flatness and implied depth. The rigorous technique supports this juxtaposition using thick layered texture while allowing a level of thinness through erosion and subtraction.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

48 W x 60 H x 1.5 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Hans Koesters is an artist and designer based in Los Angeles. His work involves drawings and paintings that act as artifacts of conceptual ideas situated between art and architecture. His recent work explores the layering of figural relationships and implied objects through tension and disequilibrium. The combination of drawing and painting seeks to emphasize volumetric associations, weight, and gesture using precarious compositions and deviations between the two mediums. His work has been exhibited in Los Angeles, St. Louis, Cincinnati, Louisville, Lexington, and Seoul.

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