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"Autumn Solar Flares" Painting

Kendra Larson

United States

Painting, Acrylic on Canvas

Size: 36 W x 48 H x 2 D in

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Originally listed for $3,000
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About The Artwork

"Constructed Places" is a series of six paintings created in 2015. This series was produced differently than paintings I have made in the past. I began by creating assemblages from found photos, magazines, and cut paper. Then I painted them onto 48” x 36” canvases. All of the assemblages illustrate imaginary places. This is important to note because, up until this point, I have felt obligated to depict real locations. I created images of actual places abstracted to heighten some sort of narrative. This new work is an attempt to break free and see what creating “real­ fake” images would feel like. The formal qualities (compositions, shapes, textures, colors, and values) were worked out in the assemblage making process, while the painterly qualities (the surface, the opacity, the brush strokes, and impasto) were decided after the canvas was stretched. This series is playful and bright, curious and ambiguous. There is an overwhelming quality that is both startling, yet familiar. The paintings in this series run parallel to the kind of image consumption found online, making sense of seemingly disparate elements. I feel that these attributes are similar to imagining a place from your childhood when the memories overlap in odd, unpredictable ways. These ideas of perception and constructing truths are at the heart of this series.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 48 H x 2 D in

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The first thing Kendra Larson learned to draw was conifer trees when she was seven. It was with her mom on a hike just north of Seattle. The air was crisp and it smelled like pines. There were mushrooms and slugs hiding in plain sight. Her mom showed her how to make the tree trunks darker on the sides to make them look cylindrical. Taking the time to observe the shadow shapes, Kendra worked the graphite to a stub. Larson was born in Salem, Oregon and lived there until she was eighteen. She moved to Portland and received her BFA from the Pacific NW College of Art and, following a residency at Caldera Artist Residency in Sisters Oregon, she began drawing large scale, charcoal landscapes. Full of awe and Romanticism, these drawings depicted the haunting mood and regenerative qualities of burnt forests. In 2006, she attended the New Pacific Studios artist residency in New Zealand, a land that was clear cut to make way for farming. These stark rolling hills gave her a better appreciation for how nature is understood in the Pacific Northwest: a balance between treating the woods as a recreational treasure, spiritual beacon, and economic commodity. Later that year, Kendra moved to Madison, Wisconsin for graduate school. She quickly became homesick for the dewy NW air and the undulating mountainous horizon. Making images of her home made her feel better and that nostalgia was woven into her work. While at UW, Kendra taught undergraduates how to draw from observation and excited in them an interest in art. She also opened an art gallery called the Project Lodge. Juggling her painting, teaching, and the gallery was a challenge that, in the end, helped Larson develop a strong studio practice. Her thesis work consisted of forest paintings and painterly sculptures of woodland creatures. The work played up themes of mystery, fear, and myths tied to the wilderness. In 2009, she received her MFA in Painting and Drawing and returned to Oregon. Kendra married Christopher Buckingham in 2010 at Silver Falls State Park. Today, they live in SE Portland with their son Oliver and dog Edie. Kendra is active in the art community; she’s part of a painting collaborative, an adjunct art professor at Portland State University, a volunteer at Disjecta Art Center, a committee member at Regional Arts and Culture Council, and a board member of Orlo, a non-profit that publishes Bear Deluxe Magazine.

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