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Balios and Xanthos III Painting

Anibal Bogliaccini

Spain

Painting, Enamel on Paper

Size: 57 W x 24 H x 0.1 D in

Ships in a Tube

This artwork is not for sale.

149 Views

5

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This is part of The Iliad Series, that I have been working for the past 15 years. "Then from beneath the yoke the gleam-footed horse answered him, Xanthos, and as he spoke he bowed his head, so that all the mane fell away from the pad and swept the ground by the cross-yoke; the goddess of the white ...

Year Created:

2012

Subject:
Mediums:

Painting, Enamel on Paper

Rarity:

One-of-a-kind Artwork

Size:

57 W x 24 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Tanzania.

Need more information?

Need more information?

I am an Uruguayan born American/Spanish painter that lives around the world. I am now in Croatia, where I have been for the past years. My work is based on the representation of abstract elements. It is the expression of a concept released from the object. Piet Mondrian said: "The artist is aware of abstraction as a feeling of beauty”, and thus I consider abstraction as the most beautiful representation of nature. The concept of the abstract is applied to any expression disconnected from the figurative intention and from the references of the apparent reality. This pulverization and decomposition of the elements that make up a concrete world are what interests me the most about art and creation. I work with texture, neutral colors, most in particular earth ones and consider myself to fit into neo-abstract expressionism and the so-called, new figuration. The force and gesture of the expression evoke the notion of power. My paintings recall arid places where the strength of man's struggle to survive in a world of war, where there are neither winners nor victors. Only the sand and the sea are present in a collective memory charged with a violent history from which the hero emanates as a last resource for humanity.

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