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"Ballet Class. Porcelain Figurine" Painting

Eva Mili, Lithuania

Painting, Oil on Canvas

21.3 W x 31.9 H in

Ready to Hang

$2,160

Shipping Included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The golden trim on the skirt reveals that this is a porcelain figurine. The ballerina’s form is precisely captured, complemented by a meticulously painted blue dress and blue shoes. The figurine of the dancer, affixed to the stand, is strikingly lifelike and closely resembles a real ballerina. This...

Year Created:

2021

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

21.3 W x 31.9 H x 1 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Lithuania.

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Eva Mili

About the Artist

Eva Mili

Lithuania

„Precision, order, and… softness, lightness – all at once.“
- Kristina Liepinaitė, art critic and curator at the M. K. Čiurlionis Art Museum

The theme of my paintings is quite wide, including still life, animalism and figurative art. However, portraits is the most fun genre for me. I enjoy seeing how the rough strokes of a pallet knife (mastichin) magically transform into living people, with their own personalities and moods.

The wet-on-wet technique adds a lot of spontaneity and drive to my work. When using this technique, the main layer of the painting must be finished before the first strokes of paint begins to dry. When the painting is wet, I can easily add in new colours, change shapes, as well as blend objects and their edges. My work process is very dynamic, sometimes going not quite as I had planned. I really like the fact that the end result is always unique – heavily charged with my thoughts and emotions at the time. A limited timeframe for creating one painting forces me to work accurately, make as few mistakes as possible, and fully invest myself into my work.

Recognition:

  • Artist featured in a collection

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Curator - Erin Remington

Erin Remington, Curatorial Director