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"Barroco Andaluz - La Inmaculada de Benito Hita del Castillo" Painting

Marcos Terol, Spain

Painting, Oil on Canvas

44.9 W x 57.5 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

This artwork is not for sale.

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ABOUT THE ARTWORK
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Virgen Magdalena is the first of my paintings for my series Barroco Andaluz. Inspired by sculpures and decorative pieces of the 16th Century Andalusian Art style. La Inmaculada de Benito Hita del Castillo belongs to the Magdalena Church in Seville, Spain. I was drawn the serenity of the figure, the ...

Year Created:

2016

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

44.9 W x 57.5 H x 0.8 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Spain.

Customs:

Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.

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Marcos Terol

About the Artist

Marcos Terol

Spain

Marcos Terol is a Spanish painter based in Málaga whose work is collected internationally. After studying Art in Madrid, he established his professional practice in 2012 and has since developed a distinctive visual language rooted in expressionism and figuration.

His artistic practice is articulated through an expressionist and figurative language that engages history, culture, and identity as fundamental conceptual forces. The incorporation of cultural, literary, and artistic references becomes a recurring strategy, activating dialogues across periods, geographies, and traditions.

Through the use of oil, collage, and occasionally pastel, Terol constructs surfaces in which layers, textures, and fragments coexist, expanding the pictorial field into a hybrid territory between the classical and the contemporary. Mixing historical references with popular culture through collage mirrors the tactics of Postmodernism, breaking down the barriers between "high" and "low" art.

Color assumes a structural role within the composition, deployed with a vitality that sustains works where expressive gesture, formal clarity, and deliberate visual energy converge. The "intense gestures" and "chromatic intensity" connect Terol to Neo-Expressionism (like the work of Jean-Michel Basquiat or Willem de Kooning), where emotional raw energy takes center stage.

The compositional framework reinforces the physical presence of the work, granting it an expansive and often monumental character.

Within this body of work, expressionism, figuration, popular culture, and historical references coexist in a dynamic visual language defined by chromatic intensity, material richness, and a coherent formal construction that underpins the identity of the oeuvre as a whole.

Recognition:

  • Artist featured in a collection

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