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Painting, Acrylic on Canvas
Size: 39.4 W x 39.4 H x 1.2 D in
Ships in a Crate
...I sottili trampoli che s'alzano dal suolo a gran distanza l'uno dall'altro si perdono sopra le nubi, sostengono la città.Tre ipotesi si danno sugli abitanti di Bauci: che odino la Terra; che la rispettino al punto di evitarne il contatto; che la amino come era prima di loro e la guardino da lassù con telescopi e cannochiali......
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:39.4 W x 39.4 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Donatella Violi was born in Ovada (AL), moved to Milan and subsequently to Reggio Emilia. As she was taking lessons at the Institute of Science, she was taking courses engraving painting and art history. In 1983 she began her career as an artist, participating in competitions and exhibitions in Italy and abroad (Germany, Japan, Switzerland). Attracted by the world that surrounds her, she looks at it and reproduces it through a personal "alphabet of colors", acquired by the attendance of the studio of the master Homer Ettorre. As written by Aurora Marzi, « The fascinating theme of the trip is always present in the life and works of Donatella Violi, as inner journey, as autobiographical path: the birth in Ovada in Piedmont, her childhood in Milan, youth in Reggio Emilia and, followed by an immersion in geographical realities so different, the Amazon, Turkey, Scotland, America ... Each trip is transformed into an intimate path of sounds, images and emotions, a diary "on board"that she notes meticulously on canvas, saturating them with intense colors, " scratched" by a strong and incisive sign » (Itineris and Calvino Invisible Cities, 2012)
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