32 Views
2
View In My Room
Painting, Oil on Canvas
Size: 44.1 W x 84.3 H x 0.2 D in
Ships in a Tube
32 Views
2
ABOUT THE ARTWORK
This painting is based on the optical and physical navigational challenges involved in ascending the steep Lost World Track high on the flank of kunanyi. This unformed track is indistinct from the fallen jumble of car-sized dolerite boulders that it steeply ascends. Occasional boulders have been hand-painted with circular red and yellow track-markers to help guide the way. However, these markers are beginning to fade and are increasingly hard to spot as they blend in visually with the circular lichen that also colonise the boulders. As one ascends this steep track, scrambling with hands and feet over rough dolerite, avoiding the deep-dark-clefts between the rocks, one gets a sense of the mark of humans fading into the depth of an ancient, slow geology. These dolerite boulders having been formed during the Jurassic Period 170 million years ago. Painted on heavy duty, non-stretched canvas using frottage techniques directly over rocks, and finished in the studio.
Original Created:
2020
Subjects:
Materials:
DETAILS AND DIMENSIONS
Painting:
Oil on Canvas
Original:
One-of-a-kind Artwork
Size:
44.1 W x 84.3 H x 0.2 D in
Frame:
Not Framed
Ready to Hang:
Not applicable
Packaging:
Ships Rolled in a Tube
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Australia.
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Adrian Bradbury
Australia
Adrian Bradbury holds a Master of Fine Art (University of Tasmania, 2022), an Honours degree in Painting (University of Tasmania, 2018), a Bachelor of Health Science (Victoria University, 2008), and a Diploma of Visual Arts (RMIT, 2003) Bradbury has twice been a finalist in the Waterhouse Natural Science art prize, 2018 and 2016. His work has featured in Lume, White Horses, The Mercury, The Examiner, The Advocate, and on set of The Gloaming. Solo exhibition venues include Moonah Arts Centre, Schoolhouse Gallery, Rosny TAS, Maker's Space Gallery, Burnie, TAS, Salamanca Arts Centre, Hobart TAS, Stillwater Gallery, Launceston TAS, Sawtooth, Launceston TAS and Dark Horse Experiment, Melbourne, VIC. Bradbury is represented by Colville Gallery, Hobart, TAS. Bradbury has twice been a finalist in the Waterhouse Natural Science art prize, 2018 and 2016. His work has featured in Lume, White Horses, The Mercuary, The Examiner, The Advocate, and a large body of work are currently on set of The Gloaming. Solo exhibition venues include Moonah Arts Centre, Schoolhouse Gallery, Rosny TAS, Maker's Space Gallery, Burnie, TAS, Salamanca Arts Centre, Hobart TAS, Stillwater Gallery, Launceston TAS, Sawtooth, Launceston TAS and Dark Horse Experiment, Melbourne, VIC.
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