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In this painting I tried to scrape a scenery out of the white using as little structures as possible. I want it to be light and easy and rough at the same time. Like something beautiful you find on a stroll around the grounds. Like something beautiful you find and/or something especially you find beautiful. I used a wood panel, because I wanted to have a surface that would not give in to some pressure of pointed tools. It peaks through at some areas. I love the imperfect style of found surfaces, like old walls for instance, that leave space to the imagination.
In this painting I tried to scrape a scenery out of the white using as little structures as possible. I want it to be light and easy and rough at the same time. Like something beautiful you find on a stroll around the grounds. Like something beautiful you find and/or something especially you find beautiful. I used a wood panel, because I wanted to have a surface that would not give in to some pressure of pointed tools. It peaks through at some areas. I love the imperfect style of found surfaces, like old walls for instance, that leave space to the imagination.
In this painting I tried to scrape a scenery out of the white using as little structures as possible. I want it to be light and easy and rough at the same time. Like something beautiful you find on a stroll around the grounds. Like something beautiful you find and/or something especially you find beautiful. I used a wood panel, because I wanted to have a surface that would not give in to some pressure of pointed tools. It peaks through at some areas. I love the imperfect style of found surfaces, like old walls for instance, that leave space to the imagination.
Signed and titled on the back, sides are white
Between All Clusters, studio view
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Between All Clusters Painting

Wolfgang Kschwendt

Austria

Painting, Gesso on Wood

Size: 23.6 W x 15.7 H x 1.2 D in

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SOLD
Originally listed for $810
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About The Artwork

In this painting I tried to scrape a scenery out of the white using as little structures as possible. I want it to be light and easy and rough at the same time. Like something beautiful you find on a stroll around the grounds. Like something beautiful you find and/or something especially you find beautiful. I used a wood panel, because I wanted to have a surface that would not give in to some pressure of pointed tools. It peaks through at some areas. I love the imperfect style of found surfaces, like old walls for instance, that leave space to the imagination.

Details & Dimensions

Painting:Gesso on Wood

Original:One-of-a-kind Artwork

Size:23.6 W x 15.7 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I seek similarities as a response to the perceived world of opposed structures and the found vocabulary of forms and shapes. I react to the everyday. I reassemble piles of abstracts, heaps of lines, pots of phrases and codes, to get something beautiful or true, to get something beautiful and true. I bring together opposites, I create stills of possible films, I create scenes of possible stories, paused narrations, I pause narration. I connect comics and abstract painting, graphic notation and technical sketches, I play very seriously.

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