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Blautuerkis Painting

Helga Albrecht

Germany

Painting, Acrylic on Canvas

Size: 31.5 W x 39.4 H x 0.8 D in

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ABOUT THE ARTWORK

In diesem Gemälde erkunde ich die Leuchtkraft der Farbe Türkis, indem ich sie mit gegensätzlichen Farbelementen konfrontiere und eine Komposition erzeuge. In this painting I explore the luminosity of the color turquoise by confronting it with contrasting color elements and creating a composition.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

31.5 W x 39.4 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Helga Albrecht, born in 1959 in Southern Germany, lives as a contemporary painting artist and designer in Hamburg. She is a member of the GEDOK artists' association and curator of the Morgenland producer gallery in Hamburg-Eimsbuettel. In her artistic work, she creates mostly acrylic paintings, acrylic sketches and watercolors, but also digital works in which she further processes analogue paintings using digital techniques and develops them into independent works. Her paintings – both analogue and digital – consist of numerous layers and, despite their expressive and spontaneous appearance, have usually gone through a lengthy working process. Helga Albrecht's art is shaped by her desire for intensive communication with the artwork and for intensive engagement with the medium of painting. The works are about the interplay of structured and spontaneous energy, about bringing planned conception and impulsivity into balance using a sensitive order. This can only be achieved through surrender to the imponderable, to inspiration and spontaneous impulses while painting. But it also requires thoughtful composition and conscious design of surfaces, space and color. Her artistic process therefore goes through a constant change between spontaneous, gestural brushwork and intentional working through shapes, colors and surfaces, space, lines and material conditions. This includes multiple overpaintings and letting the work rest and looking at it anew. Helga Albrecht often finds inspiration in nature: color moods and color combinations, lighting conditions, organic shapes and compositions. During the process of painting she detaches herself from the triggering impulse, from the intention to depict something specific and enters into an exchange with the artwork, its elements, colors and shapes. An intensive dialogue develops, a weighing up, a feeling and tracing. In the end, an artwork visualizes the more or less long dialogue between the painter and the artwork, in the course of which a specific theme emerged and was ultimately “discussed” to the satisfaction of both parties.

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