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Blue Arrow Painting

Joel Blenz

United States

Painting, Acrylic on Wood

Size: 23 W x 34 H x 3 D in

Ships in a Box

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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These works are inspired from my travels as a street painter. I would always come across metal, wood and color. I wanted to find a way to express that in an abstract form. I hope the viewers feel what I have been experiencing all my life in New York, my home. The subway system, the train tracks an...

Year Created:

2019

Subject:
Mediums:

Painting, Acrylic on Wood

Rarity:

One-of-a-kind Artwork

Size:

23 W x 34 H x 3 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

A native of Queens, New York, Joel Blenz is an abstract painter working in conversation with textured surfaces, blending and writing as it is defined in the context of graffiti. Blenz current mixed media work has found its form and language through a transitional period; one where Joel’s work evolved from primarily a street based practice into a studio practice. The studio as a meditative site has emerged as a counterpoint to the adrenaline of street based art making, offering a context for the reflection and evolution of a painting style developed over multiple decades of work as a graffiti artist. Process is central to Joel’s approach to his newer works, which can be characterized as abstract paintings that play with perception. His geometric objects function formally with a heavy regard for texture, color, materials, and abstraction. Several of his pieces echo small cropped sections of Blenz blockbuster fill ins where he skillfully blends with remnants of colors left in near empty spray paint cans. Blenz studio work retains the grime, grit, and detritus of a street aesthetic through his manipulation of surfaces that range in size. Working in a smaller scale is a sharp contrast to past work on walls as large as 10 feet by 15 feet. Unencumbered by an ethos of speed, Blenz engagement with the spaciousness of time found in a studio practice, has allowed for an exploration of an endless amount of layering and drying time in his painting process. His own lengthy engagement with making each piece is evident in the interactive experience it provides for viewers. When walking back and forth in front of the work, colors shift and fade creating an illusion that confounds the viewer. A conceptual continuum embedded within both Joel’s past and current work is his ongoing exploration of the ambiguous space that graffiti now occupies as both an outsider art form and a legitimate player in the contemporary art world. Most recently, Joel Blenz current work has been featured in exhibitions at The Andrew Freedman House in the Bronx with MOMA, Gallery Guichard in Chicago, and Graffiti Gardens in Miami amongst numerous public art projects.

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