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"Blue Cat" is painted on cotton watercolor paper with acrylic.

I have been making both abstract and figurative paintings, although quite a number of them have a historical origin, this work called "Blue Cat" is an abstract work with its origin in today, while dealing with the Covid crisis. The underlying layer is roughly applied, layers of blue color and a few strokes of red and orange were added and subsequently scraped, rubbed, or treated with alcohol splatter using the anger I was feeling at the time. Subsequently I applied a few layers of transparent light blue and zinc white, using a negative technique, recreating, out of the chaos, a tranquil environment for myself resulting in a vase of flowers and a cat sleeping. We all need to find a way to keep our sanity. 
The painting is executed on 300gsm NOT Fabriano Watercolor Paper, with a layer of gesso.
"Blue Cat" is painted on cotton watercolor paper with acrylic.

I have been making both abstract and figurative paintings, although quite a number of them have a historical origin, this work called "Blue Cat" is an abstract work with its origin in today, while dealing with the Covid crisis. The underlying layer is roughly applied, layers of blue color and a few strokes of red and orange were added and subsequently scraped, rubbed, or treated with alcohol splatter using the anger I was feeling at the time. Subsequently I applied a few layers of transparent light blue and zinc white, using a negative technique, recreating, out of the chaos, a tranquil environment for myself resulting in a vase of flowers and a cat sleeping. We all need to find a way to keep our sanity. 
The painting is executed on 300gsm NOT Fabriano Watercolor Paper, with a layer of gesso.
"Blue Cat" is painted on cotton watercolor paper with acrylic.

I have been making both abstract and figurative paintings, although quite a number of them have a historical origin, this work called "Blue Cat" is an abstract work with its origin in today, while dealing with the Covid crisis. The underlying layer is roughly applied, layers of blue color and a few strokes of red and orange were added and subsequently scraped, rubbed, or treated with alcohol splatter using the anger I was feeling at the time. Subsequently I applied a few layers of transparent light blue and zinc white, using a negative technique, recreating, out of the chaos, a tranquil environment for myself resulting in a vase of flowers and a cat sleeping. We all need to find a way to keep our sanity. 
The painting is executed on 300gsm NOT Fabriano Watercolor Paper, with a layer of gesso.
"Blue Cat" is painted on cotton watercolor paper with acrylic.

I have been making both abstract and figurative paintings, although quite a number of them have a historical origin, this work called "Blue Cat" is an abstract work with its origin in today, while dealing with the Covid crisis. The underlying layer is roughly applied, layers of blue color and a few strokes of red and orange were added and subsequently scraped, rubbed, or treated with alcohol splatter using the anger I was feeling at the time. Subsequently I applied a few layers of transparent light blue and zinc white, using a negative technique, recreating, out of the chaos, a tranquil environment for myself resulting in a vase of flowers and a cat sleeping. We all need to find a way to keep our sanity. 
The painting is executed on 300gsm NOT Fabriano Watercolor Paper, with a layer of gesso.
"Blue Cat" is painted on cotton watercolor paper with acrylic.

I have been making both abstract and figurative paintings, although quite a number of them have a historical origin, this work called "Blue Cat" is an abstract work with its origin in today, while dealing with the Covid crisis. The underlying layer is roughly applied, layers of blue color and a few strokes of red and orange were added and subsequently scraped, rubbed, or treated with alcohol splatter using the anger I was feeling at the time. Subsequently I applied a few layers of transparent light blue and zinc white, using a negative technique, recreating, out of the chaos, a tranquil environment for myself resulting in a vase of flowers and a cat sleeping. We all need to find a way to keep our sanity. 
The painting is executed on 300gsm NOT Fabriano Watercolor Paper, with a layer of gesso.
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Blue Cat Painting

Antoon Knaap

Ireland

Painting, Acrylic on Paper

Size: 21.3 W x 29.5 H x 1.4 D in

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SOLD
Originally listed for $560
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About The Artwork

"Blue Cat" is painted on cotton watercolor paper with acrylic. I have been making both abstract and figurative paintings, although quite a number of them have a historical origin, this work called "Blue Cat" is an abstract work with its origin in today, while dealing with the Covid crisis. The underlying layer is roughly applied, layers of blue color and a few strokes of red and orange were added and subsequently scraped, rubbed, or treated with alcohol splatter using the anger I was feeling at the time. Subsequently I applied a few layers of transparent light blue and zinc white, using a negative technique, recreating, out of the chaos, a tranquil environment for myself resulting in a vase of flowers and a cat sleeping. We all need to find a way to keep our sanity. The painting is executed on 300gsm NOT Fabriano Watercolor Paper, with a layer of gesso.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:21.3 W x 29.5 H x 1.4 D in

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Born in 1960's Amsterdam, Antoon Knaap grew up in tumultuous times. The cultural revolution of the 1960s and 1970s made Amsterdam the magical centre of Europe. Following a career in finance, he moved to Ireland early 1990's where he started his own business and became an avid woodworker. In the aftermath of the economic crisis he moved to Spain, where helped by the sun he rediscovered his love for painting. End 2014 he returned to Ireland. Guess the rain was more appealing than the sun.... Currently based in Maynooth, in the Republic of Ireland, Antoon Knaap is a visual artist who makes figurative art from the head and abstract art from the heart. Over the years his figurative and abstract work has increasingly been bleeding into each other, leaving us with an expectation of things to come. Interpolating and blending the lines from his historical figurative work and his abstract geometric leads us towards a future of more conceptual abstract while historical. Time will tell. Working with acrylic paint embellished with spray paint, Knaap visually expresses encounters between past events and the moment they are translated to the canvas. He often uses geometrical shapes that include circles, rectangles and others to represent channels for understanding the past, the experience of suffering or joy, and the feelings of the heart. His vibrant colours create modern icons that connect the visible world with those of time dimensions gone by. Knaap’s work can be found hanging in the Kildare Gallery, on the railings of Dublin’s Merrion Square on any given Sunday as well as the homes of private collectors internationally. His work has been featured in countless local publications in print and online. Statement The beauty, ugliness and wonder of our history is a continuous inspiration. My spirituality is one of contemplation and quietude, I don’t shout from rooftops, but I channel my emotions and opinions on paintable surfaces. I also find inspiration for myself and my artwork in reading and like to work on multiple paintings at any one time. I am also constantly in the middle of a few books and I especially love the work of Philip Pullman who with subtle slits has opened my mind to many universes I knew existed but could never visualise through lack of imagination. The world has an invisible side that beckons all of us, that is why people study theology, quantum physics, contemplative prayer, the multi-verse and all the other far reaches of the human mind.

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