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After watching bluetits flying in and out of a nesting box near the studio, I used the plumage  colours of blue and greenish yellow arranged in a  irregular grid  for this painting. Signed in pencil bottom right, signed, titled, dated on the painting back. Edged are painted, and painting if finished with a U.V resistant varnish. painting is shipped unstretched
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signature bottom right
title signature date on back of painting
location shot.

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View In My Room

Blue in Conversation with Yellow Painting

Sherry Edmondson

United Kingdom

Painting, Acrylic on Canvas

Size: 27.5 W x 27.5 H x 1.8 D in

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Originally listed for $375

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ABOUT THE ARTWORK

After watching bluetits flying in and out of a nesting box near the studio, I used the plumage colours of blue and greenish yellow arranged in a irregular grid for this painting. Signed in pencil bottom right, signed, titled, dated on the painting back. Edged are painted, and painting if finished with a U.V resistant varnish. painting is shipped unstretched

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

27.5 W x 27.5 H x 1.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My paintings are a spontaneous response to the experience of being in the landscape. By using glaze layers, bold gestural marks and impasto to suggest mood, visual and tactile interest, I want to convey not only what the landscape looks like but how it feels. There is a rippling sensuality in natural textures, I am fascinated by shadows and reflections made by seasonal change and natural light. My painting activity follows the seasons, I want to convey how the landscape changes during the year, expressing in paint what print fails to do. Transforming a blank canvas into a painting is an exciting process. Painting is a co-operative affair between the artist and the canvas, the first mark is crucial and dictates the direction the painting will take. Hopefully a good outcome results. I admire and am influenced by traditional landscape artists like Turner, Constable and Gainsborough, as well as more recent artists such as the French Impressionists, Sir William Nicholson and his son Ben Nicholson, Piet Mondrian, Nicolas de Stael, Paul Klee and Sean Scully and many others.

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