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'Bullet In The Blue' on display with an exemple of framing.
Close-up on 'Bullet In The Blue'.
Close-up on 'Bullet In The Blue'.
Close-up on 'Bullet In The Blue'.
Close-up on 'Bullet In The Blue'.
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Bullet In The Blue Painting

Marijah Bac Cam

France

Painting, Acrylic on Paper

Size: 55.1 W x 66.9 H x 0.1 D in

Ships in a Tube

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SOLD
Originally listed for $3,710
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3041 Views
233

Artist Recognition

link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

Mixed media on fine art Canvas grain paper Canson Figueras ® 290g / m² 170x140 cm (67"x55"). Delivered rolled in a tube. +++ Advice: It is possible to frame the artwork or to pin it directly to the wall like a poster or even to paste it on a wooden panel which will then hang on the wall‌. The paper used is solid enough to be pasted. 'Bullet In The Blue' is a work "four hands" like a cry of rage denouncing the dangers that our planet undergoes. I asked to my teenage son to collaborate on this painting and to sign it with me 'Ajile + Marijah'. With his tools (spray paint) he wrote me different words which destroy our blue planet. By this collaboration I want to open a new series on different subjects that will impact the youth and to give the chance to my son to express his state of mind like a dicussion between him and me. *** Featured in New This Week 10-2-2017 curated by Rebecca Wilson.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:55.1 W x 66.9 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The work of Marijah Bac Cam questions the Memory of the Living through the Languages of the Feminine Principle (creative principle of Nature) by means of drawing, painting and increasingly photography and video. What does this chaos of fullness and emptiness mean, enhanced with dots, curves, golden wefts and gestural writing? In the artist's painting we perceive a Living being organized before our eyes, starting with the diffusion of black ink. These dark masses mingle with another color to symbolize the different elements, air, water, fire, earth, ether. Suddenly an organic mesh forms on the surface, connected to the misty depth. It is a question of reversal, as if to lead our gaze towards an inner world, that of the organs, tissues, vessels of an unrepresented body. These drawings express more sensibly an intuitive word in a vegetal and vibratory atmosphere that are our buried memories. They are the representation of the original past in a form that is no longer mental but metaphorical. Graffiti sometimes float here and there, like a palimpsest as if to inscribe a forgotten verbal dimension and question the meaning of forms. Her work evokes images that are almost figurative but difficult to identify. It's a question of everyone's point of view, seen from the sky or underwater, in macro or even in a wide shot. This collective memory seems to define and tell terrestrial and extra-terrestrial landscapes. Does Nature have a universal language that hides in our memory?

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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