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CARNIVAL Painting

Peggy Quinn

United Kingdom

Painting, Wax on Wood

Size: 12 W x 12 H x 1.1 D in

Ships in a Box

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Colour, movement and texture are used to create the impression of carnival. Encaustic medium allows a freer expression of movement, using texture and the ability to blend and manipulate the material to achieve distinctive results.

Year Created:

2017

Subject:
Styles:
Mediums:
Mediums:

Painting, Wax on Wood

Rarity:

One-of-a-kind Artwork

Size:

12 W x 12 H x 1.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Before studying for my degree my work was mainly in life drawing and portrait painting. I am now sculpturing in clay, painting in encaustics, and experimenting with the use of encaustics with other materials. Encaustic art is a method of painting using wax, melding and fusing layers of a medium made from beeswax, damar resin and pigment, on a surface of canvas, wood or ceramics. The sinuous lines, depth and glossy, reactive finish give distinctive qualities. I am exploring the effectiveness and potential of encaustics in my art, examining whether a technique with ancient origins can produce art relevant to the 21st century. My work is about me and my memories, and I don’t intentionally look for new subjects for my work. My inspiration comes from exploring art disciplines and materials, and I try to avoid preconceived ideas about how I will use the new materials and techniques, as my direction is largely influenced by the qualities of materials.

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