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A Cambodian girl gathering 'champei', fragrant frangipani flowers.
Set against a background of Khmer yant, sacred Buddhist geometry and symbols. The circular 'Yant Maha Mongkol', which are auspicious blessings. 'Unalome'- the twist and turns on the path to spiritual consciousness. And one of my favourite Buddha sayings-
'No one saves us but ourselves.
No one can and no one may.
We ourselves must walk the path.'

I started this painting after a visit to Siem Reap. Cambodia is a country still coming to terms with its war ravaged history and grappling with poverty. The strong Buddhist beliefs of its people play a large part in helping them to deal with their devastating past and present struggles.
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Champei Painting

Amrita Tandon

Hong Kong

Painting, Acrylic on Canvas

Size: 24 W x 36 H x 1 D in

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$2,210

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About The Artwork

A Cambodian girl gathering 'champei', fragrant frangipani flowers. Set against a background of Khmer yant, sacred Buddhist geometry and symbols. The circular 'Yant Maha Mongkol', which are auspicious blessings. 'Unalome'- the twist and turns on the path to spiritual consciousness. And one of my favourite Buddha sayings- 'No one saves us but ourselves. No one can and no one may. We ourselves must walk the path.' I started this painting after a visit to Siem Reap. Cambodia is a country still coming to terms with its war ravaged history and grappling with poverty. The strong Buddhist beliefs of its people play a large part in helping them to deal with their devastating past and present struggles.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:24 W x 36 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I paint because there is nothing more I would rather be doing. It gets me up in the morning looking forward to the possibilities the day brings. I am greatly influenced by my nomadic life. In my formative years I lived across the length and breadth of India, a sub-continent of extreme diversity of landscape, people, culture and language. Later I lived in vibrant cities like Tokyo, Dublin, Mumbai, Sydney,Singapore and now Hong Kong, each having contributed to making me what I am today. I portray the land, the people and the flora -fauna through the filter of my collective experiences. I don’t believe in tying myself down to a particular style or theme, but attempt to change and evolve continuously. I don’t feel today how I felt a month ago, so each work is a reflection of emotions and experiences at that particular time in my life. I enjoy exploring different facets of nature and man-the mighty to the mundane. My paintings amalgamate memories and musings. I work predominantly in acrylics and oils but make forays into pastels, cold wax medium and colour pencils, as my fancy takes me.

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