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Chaos Theory Painting
France
Painting, Oil on Canvas
Size: 39.4 W x 39.4 H x 0.8 D in
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About The Artwork
Oil, Nails & Wool on Natural Canvas. 100x100cm 2023 In mathematics, a self-similar object is exactly or approximately similar to a part of itself (i.e., the whole has the same shape as one or more of the parts). Many objects in the real world, such as coastlines, are statistically self-similar: parts of them show the same statistical properties at many scales.[2] Self-similarity is a typical property of fractals. Scale invariance is an exact form of self-similarity where at any magnification there is a smaller piece of the object that is similar to the whole. 'Edge of chaos' opens pathway to artificial intelligence discoveries... I've been focused on natural development in the studio. An organic creativity within certain works. Pockets of controlled environments and open spaces. This work has been 4 years in the making. The work is particularly heavy and it is strongly suggested to frame the work. For additional video - https://youtube.com/shorts/Y-rPFE_oOYA
Original Created:2023
Subjects:Science/Technology
Materials:CanvasSoft (yarn, Cotton, Fabric)
Mediums:Oil
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:39.4 W x 39.4 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
Figurative works have moved to ' Sentient Animalia' - Saatchi Page Landscape works have moved to - 'Ancient Light' - Saatchi Page From South Africa to the south of France via London, Peter Pitout has developed a style of his own. He has participated in several exhibitions in France, and art residencies in France, Germany, and Finland. Artist Statement - Often referencing physics and metaphysics, my work explores the varying relationships between philosophy, surreal concepts, and the modern digital age. Engaging subjects as diverse as particle physics, meditation and intimacy, my work reproduces familiar visuals and symbolism, arranging them into new conceptually layered images. While I use a variety of materials and processes within my body of work, I naturally return to oil paint. I enjoy studying modern concepts through this ancient lens. My series of works are linked by recurring observations of the current time and through the study of subject matter. The subject matter of each body of work determines the materials and the formats of the work. Each project often consists of multiple works, grouped around a specific theme.
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