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Painting, Oil on Canvas
Size: 31.5 W x 31.5 H x 0.8 D in
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Artist featured in a collection
It was produced from 1950 to 1981 during seven different generations. The last model was sold only in Canada. Starting in 1953, the name was used for other bodies as well. The Bel Air continued with various other trim level designations until production in the United States ceased in 1975. The Bel Air terminology continued to be used in Canada for its domestic market until 1981. The name Bel Air comes from an upscale neighborhood in the city of Los Angeles. This 1958 Chevrolet is part of the series "reflections on the passing of time". In this series, I am inspired by the industrial world. I concretize the effects of time through rust and decay, transposing the art of the portrait on these objects which knew their hour of glory and are sometimes in the process of sinking into oblivion. We are in the logical continuation of the Vanities of the past which reminded man of his mortal condition.
2020
Oil on Canvas
One-of-a-kind Artwork
31.5 W x 31.5 H x 0.8 D in
Not Framed
Not applicable
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
France.
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Born in Courrières in the North of France, I share my time between the North of France and Paris which inspires me many urban scenes including café terraces. I have always used oil paint because slow drying suits my technique better. I work in series by inspiring my surrounding, places I go to, objects I own and stage. In the series "Réflexions sur le temps qui passe", I treat the cars and Vespa in the manner of the "vanities" of the past by perforating the bodies, rusting them, thus translating the time that passes and which reduces to few things once prestigious vehicles. The parallel is obvious with our own existence. In the still lifes séries, I stage objects with a preference for metal and glass and using a palette of coloured grey and nuanced white so as to have a contemporary touch. In the series "Mes petites Nanas", I interpret scenes, situations, by putting in scene my daughter who is used to me as model (The comedy of the feelings, or the works on the small girls). Finally, the urban landscapes are inspired, as I said earlier, by my numerous stays in Paris where I live part of the year.
Artist featured by Saatchi Art in a collection
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