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"Cluster of wave" Painting

Suhyang Seo, South Korea

Painting, Acrylic on Linen

10.7 W x 8.7 H in

Ready to Hang

$725

Shipping Included

14-day free returns

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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'Cluster of Waves' explores the tactile depth of the ocean through a rhythmic repetition of physical contact. By pressing the brush firmly against the canvas, the artist creates distinct imprints that, when layered, manifest as a dense and vibrating expanse of ultramarine blue. These accumulated ma...

Year Created:

2022

Subject:
Mediums:

Painting, Acrylic on Linen

Rarity:

One-of-a-kind Artwork

Size:

10.7 W x 8.7 H x 0.8 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

South Korea.

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Need more information?

My paintings focus on the surface as a field of interaction, not a finished image. They explore the balance between intentional gestures and unpredictable material responses. Surface conditions — absorption, texture, and flow — interact with paint density to create a visual field that never fully resolves. The work captures moments of tension between control and unpredictability, and inviting close observation, to reveal a subtle interplay of color and texture that changes with light and distance. In the ‘Accumulation’ series, layers are built through the repeated acts of layering and overturning paint. As oil and water-based materials repel each other, they produce unpredictable densities. Consequently, the surface becomes a physical record of time rather than a single, static decision. In the ‘Surface’ series, absorption and resistance coexist. Raw fabric draws in the paint while coated areas block it, creating a palpable tension between openness and closure. Rather than a uniform plane, the painting transforms into a field of shifting conditions. I am interested in structures that do not resolve. Instead of stability, my work holds a sustained state of imbalance - a quiet negotiation between intention and matter. Through the accidental marks of layering, I invite the viewer into a space of constant becoming.

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