Composition 0230 Painting

The concept: A sand-glass The end of our century is dominated by the methods of communications which practically suppress painting as a way of creating inter- human relations, as a perception of the world. The artist's way of transmitting his perceptions are based on technical instruments in addition to his personality. His view of the world is not limited by alien devices, and he selects the methods of expression to gain the wholeness of his language. The value of information to an artist lies in the simplicity and clarity of this language. Composing through colors and sketches, he makes his definite picture of the world. Looking at the heritage of visual art, we see the endless repetitions and the definite system of interpretations, in which the artists are created. In our time when the process of creation has acquired its own value, there is the problem of choice between the information, into which the author is immersed, and his inner world. The inner world develops according to its own laws, speaks its own language and creates its own mode of expression, of which the end result is a painting. You are free either to like or dislike this painting. But what the painting means or what the painting is, is not so important, partly because the very process of looking for meanings is endless. And if the painting works as a whole, its space causes the same sense of harmony and beauty which we may see in nature, and which is absolute in all its moods and forms- sincere and true. The creative process, the way it develops, the very material of painting in its classical, canvas paint brush form, the technique of execution until the very last touch of brush are the elements that make the painting come alive and breathe, constitutes an inseparable whole and have the right to exist in our time when human beings live in an artificial, synthetic environment. In this way, we may accept the fact of existence of painting as the fact of a letter sent by one human being to another. Aslangery. 05.04.1993 The paintings' concept: The Sun in the Black Square. Van Gogh painted the Sun in the 19th century ; Malevich discovered "The Black Square" in the twentieth century. November 2000, painting model. Spaces proportions and scale, marked with the format of a square meter. No doubts. An even-tempered Object. Impulse causes a conflict.The living space is the Square. Conditional units are only numbers and figures. Zero signs the Sun and the Light. Amount of warm or yellow paint, with meaning per unit of material, signed with black paint with meaning. Halftones, density, cold-and-warmness, red, green, blue and yellow etc. Image is alive The author curiously discovers the world, in which yellows mean blacks as well as in the PC thinking-model awkward. Aslangery. 01.03.2000 Landscape. Object. Man. The painting, its spirit and all its components, seized with each other create the space, where the object is considered to be existing. The author works out plastically and picturesque series, which follow the movement of toned points and lines rhythmically designed. All these tools engender the Image. Landscape. Object. Man. Aslangery. 05.07.2000