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Copper Study #6. March 2018 Painting

Calum Hall

United Kingdom

Painting, Acrylic on Other

Size: 7.9 W x 7.9 H x 0.1 D in

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Originally listed for $1,580
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About The Artwork

My work is about light. I use exposures, like photographic transparencies, either in photography, screen printing, solar plates or on untreated metals. I use natural light as my main exposure source. My work makes reference to the origin and technological use of semi-precious metals, exploring pop culture, abstract expressionism and our place in the landscape, mainly using industrial and scientific techniques but also using traditional materials like oil paints and watercolours. My latest work takes inspiration from maritime communication, printmaking, transportation and landscape.

Details & Dimensions

Painting:Acrylic on Other

Original:One-of-a-kind Artwork

Size:7.9 W x 7.9 H x 0.1 D in

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I studied Fine Art among the lush embrace of the British sub-tropical gardens of Falmouth School of Art, dedicating my focus to printmaking with a specialization in photopolymers. Embarking on an entrepreneurial journey, I established my own print and design enterprise in 1997 with much needed and valued support from the Prince's Scottish Youth Business Trust and Highlands and Islands Enterprise. My projects have spanned the spectrum from promotional printing to the artful domain of package design. I am excited to have exhibited and sold art and design work across the globe. I have worked for the past 14 years in the arts sector for one of the busiest and outstanding arts organisations in Scotland, An Tobar and Mull Theatre, as the Marketing Manager (among the less tropical gardens of Tobermory). My arts practice delves into the nuanced exploration of luminosity, metallic constituents, and ephemerality within the realm of expression. Employing a sophisticated amalgamation of stratification, photographic technique, and the application of industrial paints upon randomised and sytematically treated metallic surfaces, my work predominantly manifests through the magnificent medium of printmaking, utilizing solarplates, copper, and zinc plates. My investigation is steeped in the profound aesthetic tenets intrinsic to the Japanese philosophy of impermanence (Wabi Sabi), and it is distinguished by the integration of industrial and naturally randomized methodologies. This results in compositions that harmoniously synthesize traditional printmaking and painting techniques alongside modern industrial processes.

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