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Corporate Fight Club: Keynsian Economics Painting

Eric Drass

United Kingdom

Painting, Acrylic on Canvas

Size: 20 W x 30 H x 1 D in

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ABOUT THE ARTWORK

The language of business is littered with allusions to violence. The pursuit of the killer product, crushing the competition, dominating the market. Here we see what happens when the veneer of civility is transgressed and matters of business are settled man to man. The titles are taken from terms used in the world of financial markets.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

20 W x 30 H x 1 D in

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Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Eric Drass is an artist and curator who makes work in a range of media, from painting, to digital installation, to generative experiments which live on the net. Some of his favourite themes are identity, consciousness, the philosophical ramifications of artificial intelligence, big data and the relationship between humans and machines. Sometimes this work is political, frequently it is playful, often it is provocative or transgressive in some way. His works are frequently reported and cited online (BoingBoing, b3ta, Imperica, Computer Arts and Wikipedia etc.) Eric holds a degree in Philosophy and Psychology (Oxford) and an unfinished PhD in Cognitive Psycholinguistics (also Oxford). He is co-author on a number of patents dealing with PRISM-type surveillance technologies (long before PRISM became public), and a number of academic papers relating to neural network models of language acquisition and heritability. He also used to be a singer in an experimental hardcore band, an unsuccessful male model, and once took at dotcom 1.0 company from a bedroom project to 14 countries and back, spending $50m on the way. Twenty years ago he was a TV star in America, but he doesn’t like to talk about it.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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