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Painting, Oil on Canvas
Size: 23.6 W x 31.5 H x 0.4 D in
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Cubist Expressionism – 08-09-20 Prestudy Years ago I made a pastel drawing called ‘Pastel Study 03 (2013)’ and the name suggests a prestudy. Although I did not forget about it, my mind kept wandering on and often it is hard to keep track with all my ideas. I guess we all get ground by the millstones of time and I am only juggling with my talents the best way I see fit. Some works though will make it to the second stage, namely an oil painting. Others I forget about and when I look back sometimes I am quite suprized that I did. Aforementioned pastel study is such a piece I came to appreciate anew. Odd One Out I made the pastel study on a whim when I was waiting for my students on a Wednesday evening, I remember. My roundism style and the bulk of my cubist works were not made yet. Perhaps this one this even more different than the rest because it holds certain expressionist elements, I think. It also is not exactly cubistically angular. Still a great shot and I sold it quickly through Saatchiart. It’s with a Canadian collector nowadays. Oil Painting After careful considering I chose for a rendering with hatched strokes like I am used to in doing pastels and many a drawing, even though this is the first time in oil. I quite like it I can admit because it conveys the feel and the objective I had in mind. I kept it quite cubistic though, more than the initial pastel. In this respect it is more a synthesis of cubism and expressionism. When I talk about cubism I do not mean Picasso’s multi-perspectivism but my own cubistic style. Color Usage Throughout the years my taste for color has changed a bit, even though I still like strong colors. However, I realized already a long time ago an abundance of strong, saturated colors can lead to inflation and therefor to visual fatigue very easily. This the reason I kept the negative space unsaturated (poluted blue) and some of the colours in the positive form I put outside it, just to let them echo faintly. This way I tied them together, creating harmony. Oil on linen (60 x 80 cm) Artist: Corné Akkers
2020
Oil on Canvas
One-of-a-kind Artwork
23.6 W x 31.5 H x 0.4 D in
Not Framed
Not applicable
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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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