DANCING IN THE WILD WIND Painting

My pantings require the viewer to stay inside, think and settle down in a restless and crisis-ridden world. The quick glance does not reveal anything to the viewer, it gives the eye support and the certainty of haaving found someting recognizeble. Only the second glance causes images to emerge in ones own thoughts and takes us into our own visual worlds. The locations chances the painting. The brightness brings more colors and provides for intens red and clear blue. Time pushes into the picture and her attention is focused on the tention that arises when old meets new. When the solid form becomes firmer. The artist is interested in this process, and one is right in the middle of it all in the world, which is repeatedly sends motifs: nature, animated by plants and animals, populated by humans. This is her material to which she turns with the means of painting, dissolve it, turn it upside down, scratch it, paint it over and fill it up, until the original forms have become free. On the paint surface the physical meets the abstract.