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The “Old Master Ducky” series, in which a rubber ducky is painted into an old master style painting, began as a way for me to work with oil paint on a number of different levels. There is a total of twelve paintings in this series; painted in the styles and methods of each individual painter in order to create work that mimics the originals, recreating the style and feel of their work. This was a crash course in the history of painting as well as in the methods pioneered by these great 19th and 20th century painters. Ten of the pieces are original compositions created by altering and combining multiple ideas and elements from various paintings by these painters. I painted a ducky directly into two compositions, one each, by Rousseau and Magritte without substantially altering them. But all the work is done at a smaller scale. In this way, they are not forgeries or reproductions.
Oil on Canvas
One-of-a-kind Artwork
16 W x 15 H x 0.5 D in
Not Framed
Not applicable
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I am a Tucson painter whose work is continually evolving, moving between styles, approaches and mediums. My background in theater arts informs my work and process. Essentially, my paintings are about line, color, surface, composition, texture, space, place and beauty. Process, incident and intuition sustain me. I replace the figure or the subject with a brush mark or a series of brush marks, creating something tangible, timeless and universal. I may do this in any medium, using found objects or constructions, directly or through resist materials. Among things like subject or style, my work is about feeling, the art and the act of painting, itself. Mine is also free ranging, sometimes gestural, sometimes genre-crossing work about light, energy, mark making, relationship and the landscape of illusion. I was born in Murray, Kentucky in 1946 but grew up in Detroit, Michigan. When I first saw the Van Gogh self portrait at the Detroit Institute of Art on a grade school field trip, I knew I’d become a painter. Drawing and painting since childhood, I studied painting as a post-graduate at the University of Arizona with Bruce McGrew, Charles Hall, and Philip Melton and at the Tucson Museum of Art School with Monica Jost and James Christopher Larsen. I also studied Scientific Illustration with Don Saynor at the U of A. Most recently, I studied oil painting with Alyssa Monks at the New York Academy of Art in 2011. I have shown work in galleries and museums across the country including Detroit, Chicago, Santa Fe and San Diego. I undertook painting seriously at the age of thirty in 1977 and have won a number of awards and honors. (Don West Fine Art ) See my interview in the Sonoran Arts Network ()
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