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exploded view of Daly City Grid Painting
upper right panel. Each panel is its own painting
Hang the work, slightly skewed or in parts of sections to see anew how this painting can be viewed
Another part that is my favorite view
Each panel is titled, numbered, signed, dated and stamped. Hardware is measured and placed uniformly to simplify hanging a grid
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Daly City Grid Painting

Zannah Noe

United States

Painting, Acrylic on Wood

Size: 30 W x 30 H x 0.5 D in

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$2,670

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About The Artwork

This is the first "exploded view" of the Daly City Series of 10x10’ paintings on wood panels with an image transfer of Doelger’s house. Nine 10x10 panels can be hung tightly together or spaced inches apart. The mid-century modern home is still an icon of high design and affordable housing. The post-World War ll housing development in Daly City, Ca, was a boom for white Americans. But the continuation of segregation by “Red lining” African Americans out of home ownership. It was where urban planning, design and govt policy collide to create class, wealth disparity and design icons that conjure up the “All American” aesthetic and what became white privilege. .

Details & Dimensions

Multi-paneled Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:30 W x 30 H x 0.5 D in

Number of Panels:9

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Zannah Noe is a contemporary mixed-media artist. She takes her cues from architecture, abstraction and atmosphere to depict the anatomy of place. She migrates images through multiple processes, starting with photography and utilizing image transfers, stencils or a silkscreen. She employs representation and abstract expressionism while fusing photography and mark-making elements with more traditional techniques in her oil and acrylic works. Her work has gorgeous, lush colors that make a vibrant abstract foundation that often comes through translucent image transfers. Her artwork focuses on larger social injustices of housing, urban planning and cultural identities. Inspiration is often pulled from her digital archive of many road trips across America, along with her influences from graphic design and photography. The work explores the American vernacular and its iconography. Ms. Noe formally studied photography under the well-known photographer Carrie Mae Weems at Hampshire College. She then took courses in multimedia design at San Francisco City College. She later studied privately with master painter Doug Schneider in San Francisco. She uses her design, photography and politics in her artwork to find the beauty and purpose that leverages this creative process to become the framework of her artwork. With its multilayered metaphors, vibrant colors and bold abstractions, Noe’s works are a daring, chaotic reflection of the complexity of the identity of place.

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