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Painting, Oil on Canvas
Size: 23.6 W x 23.6 H x 0.8 D in
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Artist featured in a collection
Danse Macabre is the title of a symphonic poem by French composer Camille Saint-Saens, written in 1874. The composition is based on the poem of the poet Henri Cazalis with the ironic title “Equality, brotherhood”. The poem is based on the old superstition, according to which Death appears at midnight every year on Halloween. Death has the right to call the dead from their graves so that they dance for her while she plays her violin. "Danse Macabre", also called the Dance of Death, is a medieval allegory. At the basis of its content were ideas about the insignificance of human life, about the transitory nature of earthly goods and unhappiness, the equality of one and all before the face of death, equally inexorably carrying off the old man, the young man, and the newborn baby. Sometimes death is either a clever sharper who beats every partner, or a driver of a round dance, in which people of all ages, titles and states involuntarily participate, or a malevolent musician, forcing everyone to dance to the sounds of his pipe.
2018
Oil on Canvas
One-of-a-kind Artwork
23.6 W x 23.6 H x 0.8 D in
Not Framed
Not applicable
Ships in a Box
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Russia.
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Russia
I am researching a woman’s self-awareness, formed through the prism of stereotypes and prejudices that were developed in society. I compare behavior deviation from expected patterns to a glitch effect. Glitch art criticizes the digital culture promoting an ideal transmission of the image. Social glitch is self-expression through violation of programmed standing orders. In my context, the glitch looks like an inconsistency in the information expected. I express the glitch effect through the Central Asian ikat ornament. An ornament is a visual projection of a society. And for me personally it is endowed with special meanings because I grew up in Tashkent, and oriental ornament is part of my aesthetics.
Artist featured by Saatchi Art in a collection
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