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Painting: tempera, color on canvas The scenery of the Judean Desert is the starting point of this painting, the moments in which the day slowly ends and evening falls. The painting is ready for hanging, made with top-quality professional materials: tempera paints on Belgian lines. My painting and craft are based on and concentrated work. Work on each painting takes several months. The large dimensions of the canvas provide me with opportunity for extensive movement, somewhat like dancing. The tempera paints allow me to work with a range of brushes: oil paint brush and Chinese brushes. Despite my painting style that involves brush strokes and dismantling the strokes into a colorful mosaic Since I do not have the right to reproduce the view, I ignore the various scenic stipulations. I cancel the relation to light and shadow and attachment to image. These means enable me to reach an artistic method that creates existential identification for me. I live with the sense that I must paint and make my disposable artwork. The final product is an abstract painting based on the image of interiors of Israeli scenery. The painting is focused on molecular units like observing things through a microscope that generates a uniform, sensual and abstract weave. This weave is enriched with harmonic colorfulness that is almost scientifically calculated: dots, lines, bands and painted stripes, all woven into the painting canvass, ultimately creating a uniform work of art linked to reality by multiple sinews.
Painting: tempera, color on canvas The scenery of the Judean Desert is the starting point of this painting, the moments in which the day slowly ends and evening falls. The painting is ready for hanging, made with top-quality professional materials: tempera paints on Belgian lines. My painting and craft are based on and concentrated work. Work on each painting takes several months. The large dimensions of the canvas provide me with opportunity for extensive movement, somewhat like dancing. The tempera paints allow me to work with a range of brushes: oil paint brush and Chinese brushes. Despite my painting style that involves brush strokes and dismantling the strokes into a colorful mosaic Since I do not have the right to reproduce the view, I ignore the various scenic stipulations. I cancel the relation to light and shadow and attachment to image. These means enable me to reach an artistic method that creates existential identification for me. I live with the sense that I must paint and make my disposable artwork. The final product is an abstract painting based on the image of interiors of Israeli scenery. The painting is focused on molecular units like observing things through a microscope that generates a uniform, sensual and abstract weave. This weave is enriched with harmonic colorfulness that is almost scientifically calculated: dots, lines, bands and painted stripes, all woven into the painting canvass, ultimately creating a uniform work of art linked to reality by multiple sinews.
Painting: tempera, color on canvas The scenery of the Judean Desert is the starting point of this painting, the moments in which the day slowly ends and evening falls. The painting is ready for hanging, made with top-quality professional materials: tempera paints on Belgian lines. My painting and craft are based on and concentrated work. Work on each painting takes several months. The large dimensions of the canvas provide me with opportunity for extensive movement, somewhat like dancing. The tempera paints allow me to work with a range of brushes: oil paint brush and Chinese brushes. Despite my painting style that involves brush strokes and dismantling the strokes into a colorful mosaic Since I do not have the right to reproduce the view, I ignore the various scenic stipulations. I cancel the relation to light and shadow and attachment to image. These means enable me to reach an artistic method that creates existential identification for me. I live with the sense that I must paint and make my disposable artwork. The final product is an abstract painting based on the image of interiors of Israeli scenery. The painting is focused on molecular units like observing things through a microscope that generates a uniform, sensual and abstract weave. This weave is enriched with harmonic colorfulness that is almost scientifically calculated: dots, lines, bands and painted stripes, all woven into the painting canvass, ultimately creating a uniform work of art linked to reality by multiple sinews.
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Desert 2019 Painting

Zohar Cohen

Israel

Painting, Paint on Canvas

Size: 99.2 W x 64.7 H x 1.4 D in

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About The Artwork

Painting: tempera, color on canvas The scenery of the Judean Desert is the starting point of this painting, the moments in which the day slowly ends and evening falls. The painting is ready for hanging, made with top-quality professional materials: tempera paints on Belgian lines. My painting and craft are based on and concentrated work. Work on each painting takes several months. The large dimensions of the canvas provide me with opportunity for extensive movement, somewhat like dancing. The tempera paints allow me to work with a range of brushes: oil paint brush and Chinese brushes. Despite my painting style that involves brush strokes and dismantling the strokes into a colorful mosaic Since I do not have the right to reproduce the view, I ignore the various scenic stipulations. I cancel the relation to light and shadow and attachment to image. These means enable me to reach an artistic method that creates existential identification for me. I live with the sense that I must paint and make my disposable artwork. The final product is an abstract painting based on the image of interiors of Israeli scenery. The painting is focused on molecular units like observing things through a microscope that generates a uniform, sensual and abstract weave. This weave is enriched with harmonic colorfulness that is almost scientifically calculated: dots, lines, bands and painted stripes, all woven into the painting canvass, ultimately creating a uniform work of art linked to reality by multiple sinews.

Details & Dimensions

Painting:Paint on Canvas

Original:One-of-a-kind Artwork

Size:99.2 W x 64.7 H x 1.4 D in

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Zohar Cohen, born in 1969, is a painter who creates large canvases of color that are connected by a color vibration that exists between one stroke of paint and another. He uses small, dense strokes of color to create layers of light and mood. Zohar hints at the sources of his work through the names of the pieces, such as the Kigali series which he started during his stay in Rwanda. Zohar's journey begins with a pictorial idea based on a geographical location. He observes lines and spots created directly on the canvas. The main idea is preserved in the studio, but there is a process of disconnection from the geographical place, and while destroying and neutralizing something else is created. The viewer can experience the painting in two ways. They can focus on molecular units, like looking through a microscope at items that form a uniform, sensual, and abstract fabric. Alternatively, they can observe from a distance and experience a struggle. Zohar's harmonious coloring is calculated in an almost scientific way, where dots, lines, painted stripes, everything is woven into the fabric of the painting, creating a uniform work of art that is linked deeply to reality. Over the years, Zohar created a series of interiors, in which there is a figure in the room, like a sort of focal point, with ripples of color bursting from the outside and disturbing the inside of the painting

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