VIEW IN MY ROOM
Hungary
Painting, Acrylic on Canvas
Size: 15.7 W x 13.8 H x 0.8 D in
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This small abstract painting exudes an intimate and joyful aura, capturing the essence of connection and happiness. At its center, two hearts intertwine, their forms dancing beneath each another, symbolizing a deep and harmonious bond. The artist has skillfully employed calligraphic inserts, enhancing the visual narrative with delicate and expressive lines that dance around the hearts. The color palette predominantly features various shades of green, creating a soothing and balanced atmosphere. The greens blend effortlessly, forming a cohesive and calming backdrop. The artist's choice of a small piece of collage adds dimension to the composition, introducing texture and a tactile element to the piece. The overall impression is one of happiness, resonating through the carefully chosen colors and forms. To further elevate the artwork, gold foil areas are strategically placed, catching the light and adding a touch of luxury. These gilded accents serve as subtle embellishments, drawing the viewer's attention and imparting a sense of elegance to the piece. In summary, this small abstract painting skillfully combines the symbolic representation of interconnected hearts, calligraphic finesse, collage elements, and a harmonious green palette, culminating in a delightful and visually captivating artwork.
Original Created:2023
Subjects:Abstract
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:15.7 W x 13.8 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Hungary.
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Hungary
I have spent about a third of my life in Italy, Hungary and Germany. I belong everywhere and nowhere, so my true home is art. It gives me a feeling of true freedom. My great love is abstract art. I work with clear colors, which is the best way to express my feelings and joy of life. The nuances and different lines and symbols, light dark contrasts that easily fit together and harmonize are my world. My inspiration is nature where I find overwhelming beauty. In my work I use acrylic paints, Posca, oil pastels, graphite etc. which I apply to canvas or various artist papers and combine with each other. All the materials I use are high quality, durable over time and the pictures are covered with a matt sealing varnish which protects against possible mechanical damage such as smearing or abrasion and UV damage. ‘For the artist, like the perfume of Proust's memory, colors and light conditions create sensations, by the conscious memory they are forgotten over time, but they continue to exist in the memory of the senses. For this reason, some elements of the canvases are sometimes combined in a playful way, since they emerge from the world of childhood. Krisztina Megyeri guides us into a serene world, where the joy of seeing skillfully balanced chromatic balances is combined with the wonder of feelings between memories and imagination, it tells its story, its memory representation and its ability to express freedom in art.’ Alessandra Cusinato, art historian and curator Krisztina Megyeri was born in Hungary in 1970, where she lived for eight years. The art-related images of her childhood are the creations of traditional embroiderers and her uncle's abstract paintings that "looked like exploding galaxies." In 1979 when the family moved to Germany near Stuttgart, in the Black Forest,the artist has the opportunity to create strong bonds with nature and at the same time increase her passion for art. In 1992, she moved to Milan, where she attended drawing and painting courses. After graduating in ceramic art and specializing in bronze sculpture, she worked between Italy and Hungary. Her first works were large projects made of bronze and then artistic ceramics. Among the temporary exhibitions, we remember the 1999 exhibition on the theme of the Cross in Milan, with the critical intervention of art historian Prof.
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