Dwarf Intersection Painting

Enfant Terrible by David Rosado According to Deleuze, following the footsteps of NIETZCHE, the process of return implies a selection of differences, which must be reduced to "differentiable," that is, elements that differentiate and identify being. It is during this process of spiral movement that being thought, affirming, and effectively is realized. It is in this process that art becomes present, presence and "difference". Art does not replicate itself. It processes its legacy, so that it can become continuously in the present. That said, excerpts of an image that intervene successively, from the presupposition of union and simplicity, are emphasized in the unprimed canvas, images of a rationality as a kind of pattern, interconnecting from screen to screen. Mathematical cutouts of images that abound in a universe of our growth as beings and that remain as scars on the skin. Giving a homogeneous line of canvas, this work is clearly playful, for our vision, for our vision and for the gymnastics of an intellectual order to which visual transits and their recognitions oblige us. In this exhibition, the references of our past are intrinsic in the soul of each module presented, thus awakening an evaluation of citizen representation data along with the configuration of animated dolls or parietal gestures; and, on the other hand, the sliding of the image in terms of historical reference, limited in time, in the twentieth century, in stains of truth, insinuation and lie: the lie that gives us to see the real and therefore to make it effectively visible.