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Night view- luminous from strontium aluminate
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Enough Is Enough: Nightlight Art Painting

Michele Burns

United States

Painting, Watercolor on Canvas

Size: 12 W x 36 H x 1.5 D in

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$755

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About The Artwork

Inspired by the colors and textures used: blues and browns and shiny gold and copper. A second luminous composition appears when the lights go out from light-absorbing minerals strontium aluminate doped with traces of rare earths europium and dysprosium. I make the glowing pigment myself for maximum luminance. Excited by any visible light, it glows for 10 or more hours. Rechargeable up to 50 years. OSHA-rated toy safe. 30 times brighter than plastic ceiling stars (6000 millicandéla versus 320 mcd). Fun natural nightlight! Because most of my art consists of dual (day/night compositions that are sometimes quite different from each other, I generally aim to work on both till I like them equally. This one, however, hands down I like the dark composition better- for it's simplicity and organic flow.

Details & Dimensions

Painting:Watercolor on Canvas

Original:One-of-a-kind Artwork

Size:12 W x 36 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The driving force of my art is curiosity. Each piece begins with the question “What if?” What if I use these colors, textures, materials, techniques, or objects together? Each work is a surprise package I get to slowly open. I study art, and in my head I divide the field between decorative art that people want in their homes, which is great, and “arty” art that is innovative, original, and sometimes gallery-worthy. I often fail but generally aim for the elusive territory between the two- attempting to create things pleasing to the eye that people might want to live with, while pushing out boundaries for both everyday and more sophisticated art lovers. A unique recurring feature of most of my work is the inclusion of photoluminescent strontium aluminate doped with rare earths. I make the pigments myself for maximum luminance. The works are thereby two compositions, one by day and a second, rather magical composition that appears at night. I employ super-bright child-safe minerals that shed light for 10 to 20 hours after exposure to any visible light, and that continue to be “re-excitable” for decades. I do not have a single style because my relentless curiosity leads me in many directions as I constantly explore new materials, tools, techniques, and “What if?” questions.

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