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Entropy II/24 Painting

Jozsef Gyecsek

Hungary

Painting, Oil on Canvas

Size: 59.1 W x 25.6 H x 0.8 D in

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$2,870

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ABOUT THE ARTWORK

I painted 9 pieces big size portrait from some very important persons of my life. After then i cuted this pictures and i created 25 pieces "abstract" pictures from the details. The title (Entropy), which is a thermodynamic law about the cooling and disintegration of closed systems. In my case, however, construction and the birth of a new unity is at least as emphatic as deconstruction. What gave me an emotional impetus was a sort of compulsion of accounting for a part of the personal past. As for the integration of memories – which is also an important element. In certain moments of the ‘splitting up’, I became discouraged and so, I had mercy on a few larger parts, worked out perhaps better (since the sight was always the main organizer, of course) but I tried to remain consistent all along.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

59.1 W x 25.6 H x 0.8 D in

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1970 Born in Szentgotthard " Jozsef Gyecsek's painting expands and grows richer with slow, subtle, hardly observable changes and conquers for his paintings those scenes of the world perceptible to our senses which he has already stalked. His materials: sackcloth, packthread, glue, plywood, oil colour, chalk, graphite, paper, copper, brass and brass plate. He tears, cuts, binds, screws, threads the edge of the canvas, sticks, primes, he applies mass with hand or with a spatula. He paints at once or in more layers, uses glaze or scribbles. He makes use of luck and contingency. The fallible, patched, torn waste-canvases, which are stuck on the picture bring the sight closer to the spectator, they resemble familiar sensations of touching and bring back obscure memories. Sometimes painting does nothing more but emphasizes the spatial elements of the relief-composition made up of patches, sewings and threads. Jzsef Gycsek knows that a surface should not be burdened with more than it can take optimally. Some of his paintings are imbued with a kind of ease. The quantity, weight and proportion of shapes, colours and formations are calmly considered. It can be suspected that the seemingly simpliest, elegantly executed compositions gave him a hard time. Each painting is a peculiar colour-constellation, shaped in a determined, unquestionable way. "-Ilona Keserü

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