VIEW IN MY ROOM
Painting, Acrylic on Soft (Yarn, Cotton, Fabric)
Size: 23 W x 39.5 H x 1.3 D in
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This new series, 'Everything All of The Time' is all about the dichotomy of complexity and simplicity, of how an artwork from a distance can look simple and minimalist but can transform into something complex and maximalist the closer you get. Its an exploration of how textile and paint can be integrated. How an artwork can be simultaneously painting & textile, flat & sculptural. How can these disparate elements work together? I want the surface to be unified and yet, upon closer inspection, you will find a surface that is a battle between the textural surface of the constructed stitched textile and the subsequent layers of paint that have been added. This artwork has been created from stitched & cut layers of antique tie silks and other repurposed textiles to create the 'canvas' of the subsequent painting. The artwork has been stretched across a frame with a wooden support and is ready to hang.
Materials:Soft (Yarn, Cotton, Fabric)
Painting:Acrylic on Soft (Yarn, Cotton, Fabric)
Size:23 W x 39.5 H x 1.3 D in
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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Aby Mackie is a Barcelona-based artist whose wall-based sculptures are unified through a materials-led methodology combining storytelling and social commentary. Recurring themes can be identified as materialism, consumerism, value and memory. Each series investigates the interconnectedness of these themes through the language of materials. Often in Barcelona, the contents of entire homes are either thrown onto the streets or auctioned off at Encants Vells market. The creation of Mackie’s work is driven by the selection and repurposing of objects and textiles from these two practices in order to explore ongoing cultural concerns. This roots Mackie’s artistic process in the everyday existence of the unrecognised, uncelebrated, unknown lives of Barcelona’s residents. Mackie is captivated by the unobvious silent material witnesses to a life lived; a worn bed sheet, a stained tablecloth, a moth-eaten gown. Such artefacts bare the marks and physicality of human nature, possessing a poetic power. They are simultaneously valuable in their uniqueness and worthless in their deteriorated, decontextualized state. Each piece created from these objects is therefore both the artist’s personal expression of the hidden memories embedded in the original items, and a way to explore the recycling and re-contextualising of meaning and value in contemporary society. The experience and memories of others, imagined and real, fuse seamlessly with Mackie’s own through the salvation, destruction and discordant juxtaposition of materials. A rich mix of influences can be seen through Mackie’s work in terms of concept (the found object sculpture of Picasso, Miro, Tapies, Grau-Garriga), techniques and materials (Anatsui) and subject matter and aesthetic sense (Basquiat, Schwarz), inviting the viewer to create their own connections and interpretations and encouraging a personal storytelling through materiality.
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