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This work belongs to the series: Faces without a Face. And it is a study on the human face that has always been a recurring theme in Chamorro's work. It is a work on the analysis of human expressions and feelings through the face. Frustrations, fears, desires and experiences that are deformed through the use of geometric shapes and the use of color, texture on the material and line. Always painted with oil, although in different supports. In this case on canvas.

This work is framed with a type of wooden box, which makes the work float inside the edge of the frame. It is ready to hang. The work measures 166 x 37 x 2 cm and with the frame 171 x 42 x 4 cm.

It is signed on the back and is delivered with a certificate of authenticity.
This work belongs to the series: Faces without a Face. And it is a study on the human face that has always been a recurring theme in Chamorro's work. It is a work on the analysis of human expressions and feelings through the face. Frustrations, fears, desires and experiences that are deformed through the use of geometric shapes and the use of color, texture on the material and line. Always painted with oil, although in different supports. In this case on canvas.

This work is framed with a type of wooden box, which makes the work float inside the edge of the frame. It is ready to hang. The work measures 166 x 37 x 2 cm and with the frame 171 x 42 x 4 cm.

It is signed on the back and is delivered with a certificate of authenticity.
This work belongs to the series: Faces without a Face. And it is a study on the human face that has always been a recurring theme in Chamorro's work. It is a work on the analysis of human expressions and feelings through the face. Frustrations, fears, desires and experiences that are deformed through the use of geometric shapes and the use of color, texture on the material and line. Always painted with oil, although in different supports. In this case on canvas.

This work is framed with a type of wooden box, which makes the work float inside the edge of the frame. It is ready to hang. The work measures 166 x 37 x 2 cm and with the frame 171 x 42 x 4 cm.

It is signed on the back and is delivered with a certificate of authenticity.
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Faces without Face 4 - 03 Painting

Jose Manuel Chamorro

Spain

Painting, Oil on Wood

Size: 16.5 W x 67.3 H x 1.6 D in

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SOLD
Originally listed for $3,000
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About The Artwork

This work belongs to the series: Faces without a Face. And it is a study on the human face that has always been a recurring theme in Chamorro's work. It is a work on the analysis of human expressions and feelings through the face. Frustrations, fears, desires and experiences that are deformed through the use of geometric shapes and the use of color, texture on the material and line. Always painted with oil, although in different supports. In this case on canvas. This work is framed with a type of wooden box, which makes the work float inside the edge of the frame. It is ready to hang. The work measures 166 x 37 x 2 cm and with the frame 171 x 42 x 4 cm. It is signed on the back and is delivered with a certificate of authenticity.

Details & Dimensions

Painting:Oil on Wood

Original:One-of-a-kind Artwork

Size:16.5 W x 67.3 H x 1.6 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

ARTIST STATEMENT Since always, along with the landscape or objects, I have been interested in the human face in which light reveals a unique subjectivity of experiences and emotions, a condensed and defined personal history in facial features. Following this interest I have made a series of portraits, in the pursuit of which I have come to discover that for many human beings their facial expression was broken by pain, frustration, exclusion, violence, etc. This breakdown of the face came to the fore in my interest, giving me a feeling of tenderness that has led me to carry out the work generically FACES WITHOUT A FACE. For which, I have developed geometric shapes in which a face is hardly intuited because it lacks the essential elements that constitute it. Flat shapes in which the stroke and color are applied directly on a neutral background or in some cases the suggestion of solitude or isolation in a desolate space. This work, which has taken me several years, I have done in oil, watercolor, drawing, engraving and collage, and even combining two or more of these techniques, on wood, canvas, burlap, paper, cardboard, with their primers and textures. Recently, in an experimental phase, I have worked on sculptures using iron waste materials.

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