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Family Portrait #5 (Framed Contemporary Abstract) Painting

Guy Lyman

United States

Painting, Acrylic on Canvas

Size: 25 W x 19 H x 1 D in

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$1,991

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About The Artwork

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. I am now (thankfully) able to reach a worldwide audience and have sold paintings to collectors in places like London, Madrid and Beirut, which is gratifying to me. So I have begun to reserve some of my work to offer here first. In my paintings, I use a variety of media - nearly always oil and acrylic, but often wax, watercolor pencil, tar and other materials. This series of paintings is primarily about the color, line and surface quality, which have always been my chief interest. The "objects" are mostly something to wrap the paint around. I am as interested in the negative space as the positive, and spend a lot of time on the layering, taking out and covering up, wiping and scraping, modulating color, texture and sheen, to get it where I want it. I have fingers in the paint as often as brushes. Should you have any questions, please leave them here - I really enjoy corresponding with my collectors." “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:25 W x 19 H x 1 D in

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I have been selling my art worldwide since around 1990. For eight years I had a gallery on Magazine Street in New Orleans; I sold it in 2019 and moved everything online - which is where things seemed to be headed. My paintings are in fine collections from Beirut, to London, to mansions in Aspen and the California wine country. But it's important to me that the prices not rise to where they are unaffordable for collectors who are not wealthy; so I try to keep them reasonable. My influences include Cy Twombly, Robert Rauschenberg, Julian Schnabel and Sean Scully. I have never been interested in the forms I choose for my paintings. I make quick decisions about them. What matters to me is surface quality, color, line quality, negative space. Sometimes the negative space is more important than the forms that push forward.

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