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Field Note IV (Broken Circle Relief) Painting
United Kingdom
Painting, Emulsion on Wood
Size: 25 W x 17.1 H x 1.5 D in
Ships in a Crate
Artist Recognition
Showed at the The Other Art Fair
Artist featured in a collection
About The Artwork
Part of the 'Broken Circle' series - an ongoing system art project. A set of 18 component tiles are generated from two 'master' circles which have been sliced into a 3x3 grid. The tiles are shuffled and iteratively rearranged into new 2x3 compositions. Using these parameters there are over 13M unique configurations. With a dataset so large, subjectively appealing combinations are discovered from a process guided by chance and intuition. This sculptural relief panel has been constructed using the above rules and was conceived as part of a group of 4 (see other listings for the other 'Field Note' pieces). The works in this series are non-objective but seek to re-express the original 'master' forms in new ways. Presented in a 12mm width timber float frame hand painted warm pink with matt varnish (as pictured) with eyelets and hanging cord fitted to back ready to hang. Painting is titled, dated (2023) and signed by the artist on reverse in black marker.
Details & Dimensions
Painting:Emulsion on Wood
Original:One-of-a-kind Artwork
Size:25 W x 17.1 H x 1.5 D in
Frame:Other
Ready to Hang:Yes
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
James D Wilson (b.1982) is an artist and designer based in South East London, UK, working predominantly in paint and relief on layered surfaces constructed from cardboard and wood. His process starts as an act of reconstructing a memory of a time or place using fragmentary, visual phrases that make up an environment that have been held in the mind. In re-assembling and remembering, the resulting composition ride the line between abstraction and figuration combining bold, reduced graphical forms with the language of landscapes, both architectural and natural. The materials used in his works, together with their limited colour palettes have a utilitarian quality to them, following in the footsteps of constructivist/concrete artists of the 50s/60s. The cutting and brushwork are predominantly made freehand with no masking tape involved, which lends itself to feeling more human. There is a tension between the planned and unplanned, the finished and unfinished, the loud and the quiet. The pieces featured here all contribute to an ongoing exploration into expanded painting, visual rhythm and negative space.
Artist Recognition
Handpicked to show at The Other Art Fair presented by Saatchi Art in London, London, London
Artist featured by Saatchi Art in a collection
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