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Moss Landing Harbor is a great marina at a junction right before the highways 156 and 1 merge to head towards Monterey. The boats here are kept clean, and the sea lions sunning themselves on the walkways are a fun sight. On frequent visits there, I enjoy strolling around the harbor after lunch at Phil's Fish Market. I like observing the busy harbor, watching moored boats dance on the water. I noticed this small white boat dwarfed next to a big fishing boat, and I was intrigued how the reflections and shadows from both interspersed, overlapped and merged, creating a very interesting pattern of shapes and hues. 

Materials:
Oil on oil-primed Claessens Belgian linen on 1/8 MDF archival art panel, finished with melamine backing that prevents warping and deterioration. 

This painting is sold unframed. Requires a frame to hang.
Moss Landing Harbor is a great marina at a junction right before the highways 156 and 1 merge to head towards Monterey. The boats here are kept clean, and the sea lions sunning themselves on the walkways are a fun sight. On frequent visits there, I enjoy strolling around the harbor after lunch at Phil's Fish Market. I like observing the busy harbor, watching moored boats dance on the water. I noticed this small white boat dwarfed next to a big fishing boat, and I was intrigued how the reflections and shadows from both interspersed, overlapped and merged, creating a very interesting pattern of shapes and hues. 

Materials:
Oil on oil-primed Claessens Belgian linen on 1/8 MDF archival art panel, finished with melamine backing that prevents warping and deterioration. 

This painting is sold unframed. Requires a frame to hang.
Moss Landing Harbor is a great marina at a junction right before the highways 156 and 1 merge to head towards Monterey. The boats here are kept clean, and the sea lions sunning themselves on the walkways are a fun sight. On frequent visits there, I enjoy strolling around the harbor after lunch at Phil's Fish Market. I like observing the busy harbor, watching moored boats dance on the water. I noticed this small white boat dwarfed next to a big fishing boat, and I was intrigued how the reflections and shadows from both interspersed, overlapped and merged, creating a very interesting pattern of shapes and hues. 

Materials:
Oil on oil-primed Claessens Belgian linen on 1/8 MDF archival art panel, finished with melamine backing that prevents warping and deterioration. 

This painting is sold unframed. Requires a frame to hang.
Moss Landing Harbor is a great marina at a junction right before the highways 156 and 1 merge to head towards Monterey. The boats here are kept clean, and the sea lions sunning themselves on the walkways are a fun sight. On frequent visits there, I enjoy strolling around the harbor after lunch at Phil's Fish Market. I like observing the busy harbor, watching moored boats dance on the water. I noticed this small white boat dwarfed next to a big fishing boat, and I was intrigued how the reflections and shadows from both interspersed, overlapped and merged, creating a very interesting pattern of shapes and hues. 

Materials:
Oil on oil-primed Claessens Belgian linen on 1/8 MDF archival art panel, finished with melamine backing that prevents warping and deterioration. 

This painting is sold unframed. Requires a frame to hang.
Moss Landing Harbor is a great marina at a junction right before the highways 156 and 1 merge to head towards Monterey. The boats here are kept clean, and the sea lions sunning themselves on the walkways are a fun sight. On frequent visits there, I enjoy strolling around the harbor after lunch at Phil's Fish Market. I like observing the busy harbor, watching moored boats dance on the water. I noticed this small white boat dwarfed next to a big fishing boat, and I was intrigued how the reflections and shadows from both interspersed, overlapped and merged, creating a very interesting pattern of shapes and hues. 

Materials:
Oil on oil-primed Claessens Belgian linen on 1/8 MDF archival art panel, finished with melamine backing that prevents warping and deterioration. 

This painting is sold unframed. Requires a frame to hang.

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81

View In My Room

Fishing Boat Moss Landing Painting

Tatyana Fogarty

United States

Painting, Oil on Canvas

Size: 16 W x 20 H x 0.2 D in

Ships in a Box

SOLD
Originally listed for $1,440

359 Views

81

Artist Recognition
link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

Moss Landing Harbor is a great marina at a junction right before the highways 156 and 1 merge to head towards Monterey. The boats here are kept clean, and the sea lions sunning themselves on the walkways are a fun sight. On frequent visits there, I enjoy strolling around the harbor after lunch at Phil's Fish Market. I like observing the busy harbor, watching moored boats dance on the water. I noticed this small white boat dwarfed next to a big fishing boat, and I was intrigued how the reflections and shadows from both interspersed, overlapped and merged, creating a very interesting pattern of shapes and hues. Materials: Oil on oil-primed Claessens Belgian linen on 1/8 MDF archival art panel, finished with melamine backing that prevents warping and deterioration. This painting is sold unframed. Requires a frame to hang.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

16 W x 20 H x 0.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Signature member of American Impressionist Society (AIS),Signature Member of Laguna Plein Air Painters Association (LPAPA); and an Artist Member of California Art Club (CAC). All my childhood and youth I lived and breathed music. The transition from playing piano to transferring this inner music on canvas with oil paint happened later in life. I see my art as visual music. I try to bring it to life with harmonious colors, which emanate joy and peace. I infuse each of my brush strokes with its own kind of melody. My hope is that the viewers will hear the sounds and rhythms of that music as they look at my work, and it will generate the same emotions and connections that I had when painting that piece. I am inspired by the way light shapes the landscape, and I strive to capture it on canvas. I often paint en plein air (on location), which allows me to use all my senses to interpret a scene in front of me with a sense of immediacy and honesty. I choose to paint in oils, because I love their robust quality of bright, luminous colors, which are easily bendable and capable of retaining texture and showing brushstrokes. My favorite starting point for the landscape painting is the golden light of late afternoon, known as the “magic hour”, which creates the most intriguing and fascinating effects by merging captivating shadow patterns and warm, luminous color of the setting sun.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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