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Painting, Watercolor on Archival Clay Board
Size: 6 W x 6 H x 0.1 D in
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For my Fitra series I am reflecting on a foundational Islamic concept regarding the nature of human beings. Contrary to the Christian faith my parents were raised in, in the Islamic faith they converted to - there is no concept of original sin. To the contrary, as a child, my parents taught me that according to Islamic teachings all people are born pure and without sin. This pure nature is our "Fitra" and it is key to our connection to our Creator and our divine purpose. Our Fitra is our most "authentic" and natural state. Inspired by the Book of Sufi Healing, for the Fitra series I reference a story about how humanity came to learn about the healing properties of plants as each one revealed it's special properties to the King Prophet Solomon who later passed down this knowledge for generations to come. Amber is one of the ten healing plants discussed in the Book of Sufi Healing. Amber is known for its ability to heal our hearts - spiritual and physical. Like a seed of any plant, it is only through breaking ourselves open and allowing ourselves to shift and be transformed do we reveal our highest purpose, express the best of who we are and share our unique gift with the world. For the Fitra: Amber series I use the same colors repeatedly in unique ways to express the various possibilities and shifting purposes that even the same color can hold. I painted in watercolor because this is the first art medium I recall learning as a child. Each painting is named after a child in my family - my own and nieces and nephews. Children remind us of our fitra - the great potential, pure and special nature that we all have.
2022
Watercolor on Archival Clay Board
One-of-a-kind Artwork
6 W x 6 H x 0.1 D in
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Not applicable
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My paintings, drawings, prints, and collaborative social practice projects reference Islamic ritual and cosmology, Black history archives, and personal memoirs. My creative process is grounded in research and experimentation within abstract, documentary and conceptual art traditions. I was born in Brooklyn, NY to parents who immigrated to the US from the Caribbean and South America in the 1970’s as teenagers and converted from Christianity to Islam as young adults, raising me within their new faith and country. Their fluid and willful transitions between place, philosophies, and histories has developed my understanding of the visual world – its nuances and boundaries, and the need to resist, reevaluate, and push beyond its limits. Through the experience of looking at/ participating in my artwork, I am inviting my audiences to embrace new possibilities that challenge traditional boundaries of race, nationhood, and religion; and create wholly new constructions that broaden our collective imaginations. Nsenga Knight was born in 1981 in Brooklyn, New York. She currently lives and works in Cairo, Egypt and New York. Knight has been awarded with a Pollock-Krasner Foundation Grant, a Foundation for Contemporary Arts grant, a Southern Constellations Fellowship, the Leeway Foundation Art and Change Grant, and Brooklyn Arts Council grants. She has held artist residencies at BRICworkspace in Brooklyn, NY, the Drawing Center in New York, Elsewhere Museum in Greensboro, North Carolina, the Galveston Artist Residency in Galveston, Texas, Brandywine Workshop in Philadelphia, Film/Video Arts Center in New York, and was a BCAT/ Rotunda Gallery Multimedia Artist in Resident in Brooklyn, NY.
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